To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that...
I'm always struck by the kids who turn up in New York and LA, and places in between. Chicago. Wanting to do theater, wanting to do independent film. Wanting to break into television or radio.
I don't want to hear songs about how sunshiny things are. I don't like songs that feel like radio candy... I like the ones that make you think, laugh or cry - they pull some kind of emotion out of you.
I really like the old stuff that I cut my musical teeth on, and I loved it when the industry was just like that, without really a genre. Today, country radio's more aimed at a demographic than a genre. It just softens everything.
Lately, I've been doing a lot of tuning in and impatiently tuning out. As a longtime fan of talk radio, I don't think this bodes well for the long-term broad appeal of the medium.
You used to have to own a radio tower or television tower or printing press. Now all you have to have is access to an Internet cafe or a public library, and you can put your thoughts out in public.
To be silent the whole day long, see no newspaper, hear no radio, listen to no gossip, be thoroughly and completely lazy, thoroughly and completely indifferent to the fate of the world is the finest medicine a man can give himself.
There are things that I won't do on the radio. I mean, the next logical question is, what won't you do. I say, well, you know, you've got to find out when you're on the air.
I don't own a radio. I listen to everything through apps or on my iPhone. And then I download the shows I like. Shows like 'Fresh Air', 'Radiolab', 'Snap Judgement', all those shows.
You get into this situation, performing for T.V., where you have to speak with utter sincerity. It's just like the radio. You have to say it like you mean it, even though the thing you're saying is actually planned out.
I wrote my first short story for a competition and won second prize. Another competition came up and I won first prize. The first story was published in a newspaper. The second went out on radio.
In many ways, I think that, while we've been remarkably violent in our media, there's been a real schizophrenia. In private, on the Internet, and on public-affairs shows or talk radio, we're way more explicit than we've ever been.
We began intercepting Japanese radio transmissions, which indicated the two forces were very close to each other. We found out later that we were moving in opposite directions and passed each other by 32 miles.
The left and the right live in parallel universes. The right listens to talk radio, the left's on the Internet and they just reinforce one another. They have no sense of reality. I have now one ambition: to retire before it becomes essential to tweet...
Yeah, I've done Jim Breuer's radio show a couple times, and I heard from Larry the Cable Guy when I got 'Mike & Molly,' wishing me congratulations. I'm always the last one to the party, man. But that's okay. I got there.
I kinda went back to that period between '88 and '94 where I felt like I was the most creative, without being hindered by powers that be. I was no longer going to try to hinder myself to what I thought was going to be on the radio.
I like creating something from nothing and hearing it on the radio or on stage or from somebody driving down the street singing it. It's like building a house, taking a vacant piece of land, and next thing you know, there's a house with somebody livi...
Somebody just gave me a shower radio. Thanks a lot. Do you really want music in the shower? I guess there's no better place to dance than a slick surface next to a glass door.
It's nice to have writers write nice things about you and guys on radio and TV say nice things about you, but the guy who's in the locker next to you is the one you play the game for.
People say New Yorkers can't get along. Not true. I saw two New Yorkers, complete strangers, sharing a cab. One guy took the tires and the radio; the other guy took the engine.
I never realized that growing up in Brooklyn, flying jets, working on Wall Street and starring in a sci-fi series was the prerequisite for the fast-paced demands of talk radio. But, if that's what it takes to succeed, I'm glad I did it all.
