We don't dance because we can't dance. Our shows, production-wise, are always quite minimal. We always try and keep it more about us having fun and stay away from gimmicks.
For me, I don't participate in the filming when I represent a reality show star in a case, because that would mean waiving my right to attorney-client privilege, and that would hamper my ability to mount an effective case.
What is important for me is that the people who know me for real know Mario how he really is. People who don't know me, they read newspapers and they watch TV. TV is made to give a lot of opinions... so I can't show the real Mario to everybody.
Every show on television has a downward trend because there are so many more things to watch. You can only deal with what is the benchmark of a hit series and 'Survivor' clearly remains a hit series.
Every place in the country you should get a license that shows you know how to safely store it, keep it away from your children or grandchildren. You should have to license it so the police can trace it if it's used in a crime.
The last thought on your mind before you sleep is like a mirror showing you the reflection of who you are! No matter what you pretend to be all-day long, that one last thought is enough to sum up your entire life.
You have to love dancing to stick to it. It gives you nothing back, no manuscripts to store away, no paintings to show on walls and maybe hang in museums, no poems to be printed and sold, nothing but that single fleeting moment when you feel alive.
I did a show called 'Wonderland' a few years back, and I was fortunate enough to spend a full-on two weeks - I'm talking 13-15 hours a day - with the doctors and patients at Bellevue in New York. That served me well for 'Durham County.'
I went to Bali, and I was in a small village, and somebody who was with me showed a woman a little figurine of Bart and asked: 'Do you know who this is?' And she said: 'Mickey Mouse.'
I have less to do with 'The Simpsons' every season, but I stick my nose in here and there. Basically, it's just trying to keep the characters consistent and making sure the show has a soul.
The vast literature concerning whistleblowers shows that, far from weird extremists, they are really quite ordinary people: male and female, young and old, junior and senior, no more nerdy or obsessive than most hard workers.
For 'Vikings,' we have to do so much outside shooting, and it's normally - I think with American shows, it'll be 60 or 70 percent inside and a little bit outside, but with us, it's almost 70 percent outside, and that's huge and really difficult.
Making something and sending it out into the world and then people not only responding to it but adopting it for their own and making a separate thing for it, that's beautiful. It just shows you how much you can affect other people... the butterfly e...
I don't think there is just one Louis Vuitton woman. That is why, for the fall/winter 2011 show, I loved the idea of lots of different characters - a wife, a mistress, a girlfriend - stepping out of the row of hotel elevators.
Some women tend to bring insults into a little show you put forth to make them laugh, but they later accuse you of some abnormality if you keep them at arms length in order to regain your respect.
I'm that person who says, 'No matter what the problem is, there's a solution.' That's the way my brain is wired. If someone says to me, 'Well, that's not possible. It can't happen,' I say, 'Yes it is. I'm going to sit here and show you that it can.'
When people start to write articles about what might be wrong with the 'Today' show you know where you should point the finger, point it at me because I have been there the longest. And it's my responsibility.
We draw people to Christ not by loudly discrediting what they believe, by telling them how wrong they are and how right we are, but by showing them a light that is so lovely that they want with all their hearts to know the source of it.
In his life Christ is an example showing us how to live in his death he is a sacrifice satisfying our sins in his resurrection a conqueror in his ascension a king in his intercession a high priest.
Well, I don't know what Ron has in mind, but I do know about the arc of the show. Looking at how intuitive and instinctive Eddie and I play, that is the sort of thing that leads into sexual chemistry. I wouldn't be surprised if it emerged.
And watching Ed, he's really coming into his own doing some new things onstage I've never seen him do. He's really getting into it, putting 120 percent into the show. We feel comfortable and excited.
