My love songs are very personal and quite weird. They don't really have the big radio hit choruses because basically they're my therapy, stuff I have to get off my chest.
And then it was working with Bob Hoskins, who I had never worked with before - except radio. It was like being given a wonderful meal - full of the things you love most.
If there is enough space on radio for Busted and McFly, who are basically the same band, or for 50,000 versions of Stereophonics and Coldplay, there must be enough room for all of us.
Radio news is bearable. This is due to the fact that while the news is being broadcast, the disk jockey is not allowed to talk.
The project which we developed, however, was for a sound piece and I was initially curious that a sculptor should be interested in working with a musician, especially on a project for radio.
I like the storytelling and reading the letters, the long-distance dedications. Anytime in radio that you can reach somebody on an emotional level, you're really connecting.
Just as soaps were very pivotal in the transition from radio to television, they will be right in the thick of things again in the transition from television to the Internet. Exciting news.
I've never come into anything successful before. I've always been hired by horrible radio stations with horrendous reputations and nothing to lose.
When you're listening to the radio, you're hearing dance beats, all the bells and whistles, and 'Say Something' makes you quiet and forces you to listen.
Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.
I've actually done events at radio stations where I feel like I've had to give a little talk in behalf of television as a medium.
If all the elements are in place, you should get 80 percent of what a song has to offer no matter how you hear it, whether on headphones or on the radio.
I was definitely surprised when Talk Radio took off as a play. As a film it has become somewhere between a popular thing and a cult thing.
It's so sweet, I feel like my teeth are rotting when I listen to the radio.
I started in 1946 in radio. I was ten years old. I was discovered singing in a school play. Someone was in the audience and it's six degrees of separation.
In the '80s, the way radio was programmed, if you didn't have a hit record you weren't going to be able to make any more records. That was it, period.
If people can finally recognize you on radio without being told who it is, that's what you aim for.
But these days, I get a lot more attention and airplay from the Adult Contemporary and country radio stations, and I feel comfortable saying I'm a part of that.
'Battlefield' was one of those slow-building songs, the way 'Tattoo' was. It was kind of a word-of-mouth hit. The more people heard it, the more they started requesting it on the radio.
I began visiting Lima's prisons back in 2007, when my first novel, 'Lost City Radio,' was published in Peru.
I like radio because you can do an hour-long interview and then three days later have a finished piece.
