I plan someday to do a one-man show based solely on the e-mails of Bellamy Young. And people will think I've written a brilliant comedy myself when, in fact, all the text will be directly from Bellamy.
I'd say without a doubt I've had the most sex scenes in any television show, ever. Last season I did eight sex scenes in one day - I haven't topped that yet.
Reality is a genre that seems to be here to stay. I don't know how many of the new shows will last, but the more competition you have, the harder that pie is to slice up.
America gave me the opportunity to open successful restaurants, start a TV show, and write books. I can even fill an auditorium when I give a speech, which in America is rare for a chef.
There was no let-up. The tempo was always moderate but steady. If a new guy decided to pick up the pace, that's where it stayed, whether he finished with the group or not. You showed off at your peril.
But I always reassure them that as far as my contractual rights can go, I will protect them and make sure that they have approval over every bit of it so that they know I won't show something that's embarrassing.
I think the networks, in general, have to evaluate what's happening around them. I'm sure they're scared about a lot of things: Amazon, Netflix, Hulu, and all these places that allow people to watch shows in chunks.
I've learned from doing my own show with Fox that people are not your partners if they're signing the checks. Whoever signs your paycheck is the boss - no matter what they tell you.
The pollution they produce, market, sell, and show to billions around the world is at its core contemptuous of the country that gave them better lives than nearly 100 percent of everybody who's ever lived. And they pass that contempt along for everyo...
To be an actor for 30-odd years trying to become recognized, and to end up playing a full prosthetic and a character 3 foot 9', or something like that, is... well, it just shows that you can get actors to do anything.
Sometimes it is claimed by those who argue that race is just a social construct that the human genome project shows that because people share roughly 99% of their genes in common, that there are no races. This is silly.
I never really did years of movie-after-movie-after-movie but when you've got three toddlers in the house you're performing all day long, anyway, with puppet shows and stories - I act around the clock.
In 'Law & Order,' your main job is to stay out of the way of the plot. On another show you'd receive your script and see stuff that seems challenging and feel excited that the writers thought highly enough of you to write it for you.
'Idol' was more of a competition, and that was more of a platform that I wanted to get a hold of and get on top of. And I finally got that opportunity, and now it's more like, I just gotta show and prove myself to everybody that I'm not just the 'bal...
When I signed a record deal, I was always told by execs I needed to be like everybody else, that I had to show my midriff, things that would take away from who I want to be as an artist.
My guide had a copy of Palestine on my last trip to Gaza. He'd bring it out and show people what I was trying to do. That usually went over pretty well.
'Monday Mornings' is terrific. It's my wife's show. I'm just lucky enough that David Kelley threw me a bone on it as well. It's a wonderful piece based on a novel by Dr. Sanjay Gupta called 'Monday Mornings.'
None of those jobs were high-profile, but once I was on ET, people then began to associate me with that show. So, that is the thing that many people know me for. When in effect, that was the end of my television career.
Truman Capote was a pop figure, but it wasn't until he went on David Susskind's show and had that extraordinary voice and manner that everyone could imitate, that he really took off as a figure.
For longer than I've been involved in the political process, the Republican establishment has claimed to want to provide an alternative for the black community, yet party elite refuse to show up for the game.
I grew up in the '50s, in New York City, where television was born. There were 90 live shows every week, and they used a lot of kids. There were schools just for these kids. There was a whole world that doesn't exist anymore.
