What makes us human, I think, is an ability to ask questions, a consequence of our sophisticated spoken language.
I answered their questions truthfully and honestly, but I would prefer not to say more. I assume the information was routed back and that is why I was not called to testify.
What is it about the blank page that makes me want to hurl myself into a game of solitaire? I ask myself these kinds of questions while I'm playing solitaire.
Everywhere, people are beginning to question masculine notions of control, aggression and black-and-white thinking - and instead are favoring more empathetic, nurturing and collaborative approaches.
The Deep South has the friendliest people in the world. They will do anything for you. They also want to know what's going on and won't hesitate to ask questions.
The creative individual has the capacity to free himself from the web of social pressures in which the rest of us are caught. He is capable of questioning the assumptions that the rest of us accept.
A fair question could be posed in this fashion: If people are not obeying existing laws, what makes us think they would obey any new laws?
I think the American people want to see the interactivity between candidates and audiences, and tough questions posed by people and how you handle them under fire.
What do I owe to my times, to my country, to my neighbors, to my friends? Such are the questions which a virtuous man ought often to ask himself.
It's so critical for people frustrated with the economy, with changing tides in government, who aren't able to hear their voices, questions or their ills being talked about, to have a place for discussing what others won't.
I was part of a government that tried to resolve the question of Kosovo by war. Perhaps there is some justice that today I should be the person most responsible for finding a peaceful solution.
One of the great questions of philosophy is, do we innately have morality, or do we get it from celestial dictation? A study of the Ten Commandments is a very good way of getting into and resolving that issue.
My come-out record, '10 Day,' was the thing people were supposed to hear and figure out 'he's good' or 'he's not good.' 'Acid Rap' is the comeback tape, and it asks way bigger and better questions than, 'Is he good at rapping?'
There is no question that al-Qaida operatives are currently active in Iraq. A premature exit before the threat they represent has been dealt with would endanger America and the prospects of eventual peace in the Middle East.
The question is how to bring a work of imagination out of one language that was just as taken-for-granted by the persons who used it as our language is by ourselves. Nothing strange about it.
There is too much disagreement for disagreement's sake. In a time of persistent challenges that still call into question our most sacred aspirations as a country, we cannot afford shallow callous divisiveness in our public debate.
My integrity had been called into question; I was being called a liar, and I am not a liar. And I just think it is time that we stop viewing public figures as fair game.
The question was, 'Is there a way of minimizing the amount of damage you're doing so that you can then study cells in a physiological manner while also studying them at high spatial and temporal resolution for a long time?'
Today not even a universal fire could make the torrential poetic production of our time disappear. But it is exactly a question of production, that is, of hand-made products which are subject to the laws of taste and fashion.
There's no question that the '70s themselves were really wide open. There was just so much being done at that time. Every year, the major studios were commissioning things that they would never touch today or even thought of touching in the 1950s.
For some years I have spent my time on exactly these questions - both in thinking about ways to prevent war, and in thinking about how to fight, survive, and terminate a war, should it occur.
