I just want everybody to know my music and get to know my squad, Remy Boyz; just to show people New Jersey. New Jersey got talent, too. I mean, everybody sleeps on us, and they put us as the underdog.
Apparently Pope John Paul II and his boys - is that what you call them? - loved one of my songs and thought I was putting spiritual messages in my music. I'm not religious as such. Dogma and I don't get along.
I do look at songwriting as a lot of work. I don't over-intellectualize music as a special medium that only some people deserve to do. I think it's something you do if you put the work in.
Touring with King Crimson wasn't a lot of fun for me. I had a lot of equipment, and when I was in improvised music I'd set it up myself, play the gig, and put it all away again.
My whole career began because I was always putting my music on the Internet. By the time I had my first tour, I had an audience everywhere I went, because people were listening online.
I took the ET job because I wanted to stop traveling and they said I would only work half a day. Then I could work on music the rest of the day. They put in my contract that I wouldn't work after 1 P.M.
Michael Jackson was the biggest star the world has ever seen - he put so much into everything; a lot of attention to detail. I want to do that. I want to pay that kind of attention to detail in everything - in music, visually - all of that.
But music raises a lot of issues. Music is something that matters to people a lot, and they put a lot of passion into it. And I think when you have an area like that, you're gonna find a lot of issues coming up.
One thing that I had to remember in my personal journey in the music industry and coming up in the music industry was how many times I was told no. I was signed, I was dropped, I was signed, and I was put on a shelf.
I know Diplo knows a lot about underground music culture - he was one of the people to put me onto music like that when I used to listen to the Mad Decent Mixes. It was like, 'Oh, he knows what I want.'
The idea of celebrity has always been very strange to me because it's taking the focus away from the music and attaching it to a person. When we put someone on a pedestal or idolize them, we're giving our own power away.
I come from an art-school background, and I still feel that in my music, it's about exploration and challenging myself, about putting myself in a place that's frightening because I haven't been there before.
In terms of negotiating a career - I've always grown up being an insider and an outsider to different worlds, across different classes and cultures, so I have always naturally liked making films or music that puts things in unexpected places.
R. Kelly is an image, a brand. That's my job. There's a whole other side of me that's Robert, who is a father, a friend. But then I put on the game face and go into the studio and do the music. That's just another day at the office.
The ephemeral part of this work is that in music production, the sounds evolve so much faster than it used to, which means that you really have to put in a lot of work and effort in constantly designing the next sound that will move the culture forwa...
The Indian music market is very film-oriented, and any other creative music venture doesn't receive enough support. I'd rather do singles and put them on my website.
As I was sitting there, the deejay was playing music and talking over the music, and the kids were going crazy. All of a sudden, something said to me, 'Put something like that on a record, and it will be the biggest thing.' I didn't even know you cal...
I was very camera shy. People like hot girls, so I put my music to hot girls and it just became a trend. The whole 'enigmatic artist' thing, I just ran with it. No one could find pictures of me.
I think the purpose of a piece of music is significant when it actually lives in somebody else. A composer puts down a code, and a performer can activate the code in somebody else. Once it lives in somebody else, it can live in others as well.
When I came to this country in 1958, to be a dying patient in a medical hospital was a nightmare. You were put in the last room, furthest away from the nurses' station. You were full of pain, but they wouldn't give you morphine. Nobody told you that ...
Even putting aside the Judeo-Christian morality upon which the Constitution and our nation's culture are based, the notion of forced euthanasia would contradict the long-held body of medical ethics to which all American doctors must adhere.