It's illegal to be gay in Little Rock - this is such a reality for so many people, but once people get to these bubbles of New York or L.A. or Boulder, Colorado, they forget.
I really don't have a theme when I start a sculpture. The rock guides me to the final sculpture. I think that is true for many creative sculpture artists.
I'm doing it with a rock format and the words are about people living in harmony with Mother Earth. It's very important to me - and I feel it should be for every living human on this planet.
When you choose happiness be ready to be called a mad man. Don't waste a single moment of your life, live it, rock it because life's too short to pretend.
The drive to Black Rock City from San Francisco leads through the Nevada flatlands, past the jittering neon sadness of Reno.
You stick your head above the crowd and attract attention and sometimes somebody will throw a rock at you. That's the territory. You buy the land, you get the Indians.
I was 15 years old at university, studying economics and philosophy, and I saw a retrospective of Australian film. They were very raw. 'Picnic at Hanging Rock,' 'Gallipoli;' they were fantastic.
Look, we are a rock group. But you should see all those things in perspective. People tend to blow up everything into ridiculous proportions. And then the fun is gone real soon.
See, to me, rock'n'roll doesn't have any point. It's just fun. It has a million different angles and they're all valid. But I think rock might be a world issue.
Fertile soil, level plains, easy passage across the mountains, coal, iron, and other metals imbedded in the rocks, and a stimulating climate, all shower their blessings upon man.
Everything that's rock n roll is ever meant to be is happening now. I need to get over the shock that that thing is actually happening and that thousands of millions of people around the world are watching.
When I was a teenager in Iceland people would throw rocks and shout abuse at me because they thought I was weird. I never got that in London no matter what I wore.
In the past, some of the songs that were the most fun, and the most entertaining and rocking, fell by the wayside because I was concerned with what I was going to say and how I was going to say it.
When I first started in rock, I had a big guy's audience for my early records. I had a very straight image, particularly through the mid '80s.
I wanted to rock back and forth between myth and distant futures, yesterday, today, and tomorrow. It felt a bit like prophecy and a bit like storytelling.
With digital, you do have the advantage of having an absolutely rock steady image because there's no projector gate, no perforations, no film weaving through a machine. And there's no dust and no scratching.
I was ten years old when my first 'Vogue' cover sang me its siren call and dashed me against the treacherous rocks of fashion obsession.
People like to compare something to something that they know. Even with Chris Rock, they say he's like Richard Pryor or Eddie Murphy.
I always laugh at these rock n'rollers where you can't understand them. Mind you, it's not because they're inaudible or indistinguishable; it's because they're too obscure.
AC/DC is a prime example of taking that blues rock thing and just living in that world. They only really move the furniture around a little on each album, but it still works.
There's no doubt arena shows are exciting, but you don't get that up close and personal kind of vibe, and that's what rock n' roll is all about for me.
