The LPGA is basically corporate America's dinner party, and they can invite whomever they want. They're not ready for people getting up and making declarations. The bottom line is corporate America is pretty homophobic.
The new Babylonian captivity is what we have done to ourselves, namely, the strange fascination with our contemporary culture evident across denominational and confessional lines.
I've done it with Broadcast News-where there was no finish line, there was no agenda that I had to move all the characters to this point, that I was sort of open to what happens.
I can remember standing in a W.P.A. line with a gunny sack, and I remember having to buy chocolate milk instead of white because it was one cent cheaper.
Do we tend to recall the most important parts of a novel or those that speak most directly to us, the truest lines or the flashiest ones?
Look at the commercial and industrial development that is going on along the 101. A lot of the infrastructure - the sewer lines and drainage that make development possible - was put in during the freeway construction.
These days baseball is different. You come to spring training, you get your legs ready, you arms loose, your agents ready, your lawyer lined up.
The degree to which campaigns have become dominated by marketing is breaking the spirit of democracy, and we're all just so sick of it, across party lines.
I get bored with establishing shots of people getting out of cars and walking into buildings, getting into elevators and then 45 seconds later they have a line.
All of the material for 'The Fine Line' was created via improvisation with my partner, but not in front of an audience. We'd continue to refine it in front of an audience based on their responses until it was set and scripted.
You must be absolutely honest and true in the depicting of a totem for meaning is attached to every line. You must be most particular about detail and proportion.
We will cut programs, we will try to rein in the size of the bureaucracy. We will bring federal pay scales that have become so exaggerated into line with market rates.
On 'Honeybabysweetiedoll' I used a Whammy, a Boss OC-3 octave box, a Sustainer and a Line 6 DL4 Delay Modeler. That's only on the intro, where all those weird noises are happening.
You better keep your lane on this race of reaching out for our dreams and goals; don't stand in the middle of the road because you will be run over by those who are determined to reach the finishing line.
For me it's always contingent on getting a sound-the sound always suggests what kind of melody it should be. So it's always sound first and then the line afterwards.
I want to do voiceover for animation, so I am looking to do something along those lines. So, my agent is looking for something in that area, and I think that would be a lot of fun.
'Mike & Molly' exists in a world where we don't just say a snarky line, make a crazy face, and walk out of the room. There's actually some tender moments here, too.
Since I was a kid, I always wanted to figure out how to make a bass line that was a pendulum - like, gravity would control it, and then you could make it play different notes.
The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!
Now, I do come from a part of the country where the people say that the only thing in the middle of the road is a yellow line or roadkill.
Memorizing dialogue has always come easy and quickly to me. My wife Eileen is also very helpful. She gives me choices, and asks me questions, and runs my lines with me.
