To me, the best, if not the only function of imaginative writing, is to lead the human imagination outward, to take it into the vast external cosmos, and away from all that introversion and introspection, that morbidly exaggerated prying into one's o...
The marriage of reason and nightmare that dominated the 20th century has given birth to an ever more ambiguous world. Across the communications landscape move the spectres of sinister technologies and the dreams that money can buy. Thermo-nuclear wea...
Science fiction, as a genre is fundamentally about ideas. It's about asking an impossible question, "What if...?" and building a story out of the answer. Romance on the other hand, is fundamentally about relationships. The hypothetical romance transp...
I think politics is deadly to write about, frankly. If you have a political agenda and you set out to write a novel to prove that, say, capitalism should crumble, then it's going to be a really bad novel. Very few people have been able to deal with p...
Literary fiction and poetry are real marginalized right now. There's a fallacy that some of my friends sometimes fall into, the ol' "The audience is stupid. The audience only wants to go this deep. Poor us, we're marginalized because of TV, the great...
A lot of the people who read a bestselling novel, for example, do not read much other fiction. By contrast, the audience for an obscure novel is largely composed of people who read a lot. That means the least popular books are judged by people who ha...
For some, vampires are still firmly in the 'evil, scary' column. However, in recent decades, vampires also run the gamut from evil to morally ambiguous all the way to fangless and vegetarian. I think part of their appeal lies in their versatility. Va...
The principle of art is to pause, not bypass. The principles of true art is not to portray, but to evoke. This requires a moment of pause--a contract with yourself through the object you look at or the page you read. In that moment of pause, I think ...
Donnie: [in a letter] Dear Roberta Sparrow, I have reached the end of your book and there are so many things that I need to ask you. Sometimes I'm afraid of what you might tell me. Sometimes I'm afraid that you'll tell me that this is not a work of f...
Professor Jules Hilbert: No, why did you change the book? Kay Eiffel: Lots of reasons. I realized I just couldn't do it. Professor Jules Hilbert: Because he's real? Kay Eiffel: Because it's a book about a man who doesn't know he's about to die and th...
Kay Eiffel: [narrating] It wasn't just about finding a guitar. It was about finding a guitar that said something about Harold. Unfortunately, this guitar said: "When I get back to Georgia, that woman gonna feel my pain." This one said something along...
For me a work of fiction exists only insofar as it affords me what I shall bluntly call aesthetic bliss, that is a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the nor...
Not all deceptions are palatable. Untruths are too easy to come by, too quickly exploded, too cheap and ephemeral to give lasting comfort. Mundus vult decipi, but there is a hierarchy of deceptions. Near the bottom of the ladder is journalism: a stea...
Life is infinitely stranger than anything which the mind of man could invent. We would not dare to conceive the things which are really mere commonplaces of existence. If we could fly out of that window hand in hand, hover over this great city, gentl...
Most high and happy princess, we must tell you a tale of the Man in the Moon, which if it seem ridiculous for the method, or superfluous for the matter, or for the means incredible, for three faults we can make but one excuse: it is a tale of the Man...
Supernatural fiction contains its own generic borderland: a neutral territory, which Tzvetan Todorov calls 'the fantastic,' between 'the marvelous' and 'the uncanny.' According to Todorov, 'The fantastic is that hesitation experienced by a person who...
The mysteries of a universe made of drops of fire and clods of mud do not concern us in the least. The fate of humanity condemned ultimately to perish from cold is not worth troubling about. If you take it to heart it becomes an unendurable tragedy. ...
An economy that depends on slavery needs to promote images of slaves that “justify” the institution of slavery. The contemporary economy depends right now on the representation of women within the beauty myth. Economist John Kenneth Galbraith off...
As every writer knows... there is something mysterious about the writer's ability, on any given day, to write. When the juices are flowing, or the writer is 'hot', an invisible wall seems to fall away, and the writer moves easily and surely from one ...
I would not have majored in English and gone on to teach literature had I not been able to construct a counterargument about the truthfulness of fiction; still, as writers turn away from the industrious villages of George Eliot and Thomas Hardy, I le...
Guardando Gundam si ha la sensazione di assistere a una fiction televisiva corale, in cui uomini e donne fatti di carne e sangue combattono, muoiono, vivono e amano all'interno di un palcoscenico che seppur fittizio non ci appare affatto inverosimile...
