I've had three novels published, and I was working a little bit in theater in Ireland. I wrote one film script just to see what it would turn out like.
When I'm dying, I want to think I did what I felt was best for the words I was writing. This may mean, at any time, that I won't be publishable anymore.
I enjoy it too much - even if I knew I'd never get a book published, I would still write. I enjoy the experience of getting thoughts and ideas and plots and characters organised into this narrative framework.
I think certainly if I'd started getting published when I was in my early twenties, I was quite sheltered then and didn't know anything much about the world. I hadn't had any direct experience of how the world works.
That the Op-Ed page is very important in readers' and the nation's perception of the Times, the perception of its editorial positions, and of its implicit editorial positions as expressed by the publisher's choice of people who are given the freedom ...
When I'm writing, I am lost in my book. Except family and close friends, I don't care about what critics, publishers or readers might think.
I was born January 6, 1937, eight years after Wall Street crashed and two years before John Steinbeck published The Grapes of Wrath, his Pulitzer Prize-winning novel about the plight of a family during the Great Depression.
Books are such quiet things - created in silence, read in silence - yet publishing a book has become a very noisy business. I've been noisy, too. I felt like I had to be in order to connect with my readers.
We knew when we started the Daily Muse, we wanted a recruiting-focused business model rather than an advertising-focused one. We felt like publishers were being forced to go to more and more extreme lengths to monetize through advertising.
I've drunk Amazon's free Diet Coke. Nothing makes more sense to me than a company trying to make bookselling into a profitable business. I'm not anti-Amazon, and I'm not pro-publishers either. I'm pro-books.
Madly, futilely, I wrote novel after novel, eight in all, that failed to find a publisher. I persisted because for me the novel was the supreme literary form - not just one among many, not a relic of the past, but the way we communicate to one anothe...
Now, I had been drawing all this time - especially in France of course - so, when I came back, my father gave me the chance to do a cover for one of the books he published.
Better that you should take the chance of trying something that is close to your heart, you think is what you want to write, and if they do not publish it, put it in your drawer. But maybe another day will come and you will find a place to put that.
Writers generally get into writing because they want to write, not because they want to be independent publishers, and you can't really fault someone for saying, 'What I'm doing right now works, so there's no reason to change it.'
I wrote a play once called 'Lobby Hero,' which I thought turned out very well, but there's no final version of it. I published the one we produced, but there are seven other versions with different variations sitting in my desk at home.
I've written a lot of books now; I've been published for over 30 years. I hope with every book I learn something new, and with every new novel I try to improve the process of writing.
I did a lot of freelance desk publishing jobs when I graduated from college. I sort of earned a living doing that while I was writing plays, which was what I wanted to do. My hope was to become a playwright.
Until the company believes in itself, AOL didn't have its own space and identity in the marketplace. The opportunity is to get out from under the negative history and figure out the value AOL offers for consumers and for publishers and advertisers.
I saw that publishing all over the world was deeply constrained by self-censorship, economics and political censorship, while the military-industrial complex was growing at a tremendous rate, and the amount of information that it was collecting about...
When I was 13, I told my dad I needed to record myself because I sounded awesome, even though I didn't. By 18, I was a lot better. Then I got a publishing deal, so I was writing songs for other people professionally.
The profusion of fonts is one more product of the digital revolution. Beginning in the mid-'80s and accelerating in the 1990s, type design weathered the sort of radical, technology-driven transformation that other creative industries, including music...
