A book, once it is printed and published, becomes individual. It is by its publication as decisively severed from its author as in parturition a child is cut off from its parent. The book "means" thereafter, perforce, — both grammatically and actua...
An author is somebody who writes a story. It doesn't matter if you're a kid or if you're a grown-up, it doesn't matter if the book gets published and lots of people get to read it, or if you make just one copy and you share that book with one friend.
In New York I was always so scared of saying that I wrote fiction. It just seemed like, 'Who am I to dare to do that thing here? The epicenter of publishing and writers?' I found all that very intimidating and avoided writing as a response.
Adam: [reading] 'Handbook of the Recently Diseased'. Barbara: ...*deceased*. Adam: Deceased? Barbara: I don't know where it came from. Look at the publisher. Adam: [does so] 'Handbook for the Recently Deceased Press'. Barbara: You know what? I don't ...
I think it is immensely difficult to get the U.S. interested in non-U.S. topics. I don't think this is because the average American reader is disinterested, but more because of publishers playing it safe: if a thriller based in L.A. is a sure winner,...
My respect for artists is very high. I think to get the most out of them, you have to liberate them. I think part of liberating them is saying, 'Come up with something brilliant, new, and fresh. Stop thinking based on what has been beat into you by e...
One of the nice things about 'Redshirts' getting onto the actual best-seller list, and doing as well as it has been doing, is that it's kind of a wake-up call that the science fiction audience - regardless of the long-held superstitions or beliefs of...
Listen, my day job is also Chief Creative Officer for Marvel, and it's a very painful job because we publish a lot of books, and there are things I see where I can punch people out. Therefore, we have some new people now, and the kids are going to re...
If you don't put 99 percent of yourself into the writing, there will be no publishing career. There's the writer and there's the author. The author - you don't ever think about the author. Just think about the writer. So my advice would be, find a wa...
I prize the conditions under which I have lived because they have permitted me to choose my opportunities, to inquire into such matters as interested me, and to publish what I believed to be true, uncontrolled by any central authority.
Long before I was a writer, when I was just a haphazard reader and a dreamer of stories, I learnt about an influential book by Harold Bloom. 'The Anxiety of Influence', published in 1973 when I was five years old, is taken up with the terrifying infl...
The memoir industry is, what's the word? Under regulated. I think it needs to be pruned. If there are too many books right now and the market for readers is shrinking, I think we can get rid of many of the memoirs. Another memoir should be awfully we...
For a professional writer in the Soviet Union, it works this way. First, you have to have something to say - that's the main thing. Second, it's a matter of who publishes you. If your book has real stuff in it, readers will ferret it out, even in a S...
What I had to face, the very bitter lesson that everyone who wants to write has got to learn, was that a thing may in itself be the finest piece of writing one has ever done, and yet have absolutely no place in the manuscript one hopes to publish.
I often think publishing a book is like doing a poo. Once it's ready for the world, you have to relinquish that control and let nature take its course. A few will be impressed by your creation, others will be disgusted. Plus, no one will enjoy your s...
In 1976, I read a book by Kathleen E. Woodiwiss and knew immediately that I, too, could write a historical romance. It took me a year to complete the manuscript. I was a forty-year-old Scarborough housewife who knew no one in publishing.
I first started writing historical fiction in the late '70s and kept pictures of Kathleen Woodiwiss and Rosemary Rogers on my refrigerator until my first book was published by Avon in 1982. The biggest advantage of this genre for me is that it allows...
Was [Steve Jobs] smart? No, not exceptionally. Instead, he was a genius. His imaginative leaps were instinctive, unexpected, and at times magical. [...] Like a pathfinder, he could absorb information, sniff the winds, and sense what lay ahead. Steve ...
Among all the modes by which love is brought into being, among all the agents which disseminate that blessed bane, there are few so efficacious as this gust of feverish agitation that sweeps over us from time to time. For then the die is cast, the pe...
There are no self-proclaimed villains, only regiments of self-proclaimed saints. Victorious historians rule where good or evil lies.
Miracles are like murders. After the first one, each becomes easier than the last for, with each success, the miracle-worker's certainty in himself becomes stronger.
