I had a normal upbringing and went to public school. If I ever, even for a second, started getting a big head, I was brought back to reality pretty quickly. I was working full time and still had to fight for a cell phone.
I almost became a political journalist, having worked as a reporter at the time of Watergate. The proximity to those events motivated me, when I wound up doing philosophy, to try to use it to move the public debate.
Whenever I organize or participate in public protest I get really worried that it will just suck, be really small, embarrassing, and the media will laugh at me. Oftentimes, it is really small and most of the time the media laughs at us.
Animal abuse is rampant in the U.S., right under everyone's eyes, for the entertainment of the public. The brutal confinement and pain of training methods of wild animals in the circus, the aquatic and theatrical shows, leads to retaliation by the an...
We must have the time to create strict rules so that property is not sold by Communist managers for a low price. They often get payments under the table to sell to the first bidder. This does not build public support for a market economy.
What we are doing is satisfying the American public. That's our job. I always say we have to give most of the people what they want most of the time. That's what they expect from us.
Air travel is the safest form of travel aside from walking; even then, the chances of being hit by a public bus at 30,000 feet are remarkably slim. I also have no problem with confined spaces. Or heights. What I am afraid of is speed.
Americans have learned to trust free markets. Republican or Democrat, we believe the unimpeded exchange of goods and services will yield better solutions than five-year plans set by even the most well-meaning public servants.
If we want to truly regain the public's trust, we can provide greater accountability and transparency with a simple step. Let's start by communicating to our constituents about the votes we take.
And I believe that public broadcasting has an important trust with the American people, it's an intimate medium of television, and that we can do reading and language development for young children without getting into human sexuality.
Our cattlemen have given us the safest, most abundant, most affordable beef supply in the world and I trust their judgment. And if you look at consumer confidence in this country, so does the American public.
Before Watergate and Viet Nam, the American public, as a whole, believed everything it was told, and since then it doesn't believe anything, and both of those extremes hurt us because they prevent us from recognizing the truth.
I don't go on that many dates, because the truth is, anytime you go out in public with a girl when you're well-known, there are pictures of you everywhere, and it's like you're a thing.
Rufus T. Firefly: Hey! Do you want to be a public nuisance? Chicolini: Sure! How much does the job pay?
Mr. Universe: There is no news. There is only the truth of the signal. What I see. And, there's the puppet theater the Parliament jesters foist on the somnambulant public.
I moved to New York City in '92 and had no money. I had a lot of free time, as actors do. I would go to the New York Public Library at Lincoln Center.
On the other hand, we raised $25 million by going public. It's that money that we used to build this company, to build the circulation, to build a high profile and to hire staff that made Salon what it is today.
I would argue that one of the issues which the public should be much more emphatic about with all politicians... is patronage, appointing people to high positions because they supported your campaign or helped you raise money.
If there is a public perception at all, they see the producer as a big old guy who smokes a cigar and has lots of money and lots of power. That's not what a producer is and, if it ever was what a producer was, it certainly hasn't been for a long time...
As a director, my job is, and always has been, divided into a number of things: dealing with the crew, the money and the studio, and the marketing and publicity. These are all different jobs that have to be learned and done as well as possible. The c...
Never use the word 'audience.' The very idea of a public, unless the poet is writing for money, seems wrong to me. Poets don't have an 'audience'. They're talking to a single person all the time.
