Publicity is like poison; it doesn't hurt unless you swallow it.
When in doubt, one can rarely go wrong by going public.
I found myself serving a sentence of public denial from the very second the raid on my apartment happened.
You don't necessarily have to go public to get to the next level.
The shock of public hostility served as a stimulant. It made them acutely conscious of how society functioned.
Very often there's this misapprehension about actors being people that need to display themselves, to reveal themselves in public.
The public doesn't care about my size. It's just something for the media to talk about.
I've got two bikes that get me everywhere I need to go. And public transportation.
If sex were shoes, I'd wear you out. But I wouldn't wear you out in public.
I never stood in a public house bar and alcoholic drink never touched my lips.
I'm really into basketball, baseball, football and working out - but you'll never catch me in a public sauna.
I think there's something basically wrong with the general public that they do need their icons.
It's my father's legacy. My father's view was that the public is the employer of these government employees and has the right to know what they're up to.
There are epic downsides to living a somewhat public life. The upshot of that is there's nothing to hide. It's a relief in a way. There's nothing about me that can't be said.
Andrew Wyke: There are certain skills best acquired in public bars, I suppose.
The glamour of air travel - its aspirational meaning in the public imagination - disappeared before its luxury did, dissipating as flying gradually became commonplace.
I love the idea of bringing my work to the general public, not just people who go to gallery openings.
White House officials acknowledge in broad terms that a president's time and public rhetoric are among his most valuable policy tools.
I would never consent to a lame publicity stunt at a time when I already want to hide.
The public so often want to freeze the artist in a moment in time when they were at their peak, and they want the artist to revisit it over and over again as if it was something authentic.
Public interest in most of the Middle East was slight at that time; the Arab-Israeli conflict was all that people were interested in and that was not my specialty.
