There are too many leaders anointed because they have a public voice - television, radio, or record, or whatever. That even includes myself. In the past, I'd say, 'Don't anoint me when you can anoint yourself.'
Always have a book to read, instead of indulging in vain conversation. Strive to learn English....Remember this, that you cannot commit some loved sin in private, and perform the work of the ministry in public, with facility and acceptance.
I think it's easier for the general public to embrace me in a negative way. You have people who already have a perception of me that says I'm a bad person.
My own tastes happen to be in tune with what the public wants. I think that's the reason my batting average is so high, not because I've discovered some brilliant formula.
The public is eager for stories of True Cybercrime, and the media is happy to glamorize the subject. But when teenagers take the bait and live out our fantasies for us, we punish them for frightening us too much.
Here is Mike Wallace, who is visible to the public, and I have been watching him since the early '50s. Smoking up a storm and insulting his guests and being absolutely wonderfully evil and charming too.
I don't discuss my own beliefs in public, but I will say the beliefs I've given my characters do not necessarily represent what I myself believe.
The fact that the public are mesmerised by Britney Spears, Lindsay Lohan and all these miserable people makes me laugh because those celebrities are more miserable than the people reading about them for escapism.
And there you sit, gloating over what you have done, as if you were a martyr or a public benefactor -- as complacent and smug and misunderstood as a princess from the moon forced to herd goats!
One reason I do the live shows - and the monthly speeches at public radio stations - is to remind myself that people hear the show, that it has an audience, that it exists in the world. It's so easy to forget that.
They may well say not only is this not true, but I will put in an injunction to prevent publication. No, stories don't go in unless I'm convinced by the people who write them that they're true. And if I'm wrong, then so be it.
Many people will say, well, clothes should be worn; but I think people can look at them in public, like seeing a film. I think museum exhibitions are very important.
There is an obvious connection, on the declining Roman empire's bread and circuses model, between political enthusiasm for public spectacles and the periods when we are least able to pay for them.
What interests me about genre is that the public connects immediately with it, it has certain rules, certain codes the audience recognizes. I can use that to create something very big.
The American public's a lot more sophisticated than we all give them credit for. And on complicated issues, I'm going to give them straight answers. And if it takes more than three minutes, I'm going to do it.
High-level, big-deal publicity has a way of getting old for me, but what never fails to thrill me is when I make personal appearances.
The ads all call me fearless, but that's just publicity. Anyone who thinks I'm not scared out of my mind whenever I do one of my stunts is crazier than I am.
There was an ITV television production of the second novel I wrote, called 'Murder of Quality.' It was a little murder story set in a public school - I'd once taught at Eton, and I used that stuff.
Most of all, be honest with yourself and make sure those in political office, our so called public servants, are being honest, holding them accountable for their actions!
Due to the fact that I experienced personally the situation of a political prisoner, I have an historical commitment to all those that were or are prisoners just because they expressed their views, their public opinion, their own opinions.
True honor does not crave recognition, as true wisdom craves not publicity. The great heroes and the great men of wisdom walk silently through the bypaths of mankind.