'Whiplash' scared me. I feel you should only do projects that scare you to some degree. I get motivated by those sorts of feelings.
I like films better than the theater because you have to spend so much energy projecting your voice from the stage in the sheer effort to be heard.
Until I was six years old we lived in the projects, then my two brothers and three sisters and I moved to a three-bed that my mother's father built.
Where I feel the most productive and engaged is when I'm buried in code, buried in some project, tweaking some designs. I'm certainly introverted.
I try to choose the projects that I think are the most well-written and well-executed, and the rest of it is so beyond my control to be almost not worth thinking about at all.
Pixar is going in the direction of the early Disney. And it's also corporate, where they have four or five projects in the works. I don't want to get into that subject.
It was supposed to be in the second street project for Main Street. But who knows? Maybe it will be built one of these days. We never throw away any idea.
I'm really not feeling one way or the other with comedy or drama, I'm just sort of doing projects that I've been finding really fun to be a part of.
I approach writing stories as a recorder. I think of my role as some kind of reporting device - recording and projecting.
I've been taking my time now between projects looking for stuff that has a little bit more substance, that isn't surface. Some of the films that I've done in the past really were surface.
Taking on challenging projects is the way that one grows and extends one's range as a writer, one's technical command, so I consider the time well-spent.
Usually for cartoons, I record them in the mornings from 9 A.M. to noon, then I have the rest of the day to do on camera. It actually gives me time to work on my own projects.
There are right and wrong reasons for doing solo projects, and this album was done for the right reasons. At the time there was no Judas Priest and I certainly wasn't going to hang my hat up on my musical career.
Then I started graduate school at UCLA. I got a part time research assistant job as a programmer on a project involving the use of one computer to measure the performance of another computer.
With every project I've ever done, I've always treated it like I'm still in school. Each time you try to go a little further, get a little deeper, feel a little more, sculpt it a little better.
I suppose the reason I chose electrical engineering was because I had always been interested in electricity, involving myself in such projects as building radios from the time I was a child.
My favorite TV show of all time is 'The Wire,' which has the feeling of a project-based show. You draw in people from disparate parts of the world, and they have to work together to achieve a goal.
During the time I was on The Hardy Boys, I was also watching other people's careers. I thought the next step was to be a movie star. I kept saying no to projects, and offers stopped coming in. I was no longer hot.
Caleb: [from trailer, talking about ending the project] It's not up to me... Ava: Why is it up to anyone?
Tyler Durden: Fight Club was the beginning, now it's moved out of the basement, it's called Project Mayhem.
Police Officer: You said that if anyone ever interferes with Project Mayhem, even you, we gotta get his balls.
