I was not going to use writing for advertising or journalism. I would tend bar, load trucks, chauffeur - do whatever it took. But from the moment I took my first writing workshop, I was a writer.
Listen, here's the thing about an English degree - if you sat somebody down and asked them to make a list of the writers they admire over the last hundred years, see how many of them got a degree in English.
To answer that I have to describe what I think is my responsibility as a thriller writer: To give my readers the most exciting roller coaster ride of a suspense story I can possibly think of.
Writers like to feel sorry for themselves, which is easy to do in private, but when called on to feel sorry for ourselves in social situations, we will often do so by sharing terrible book tour stories.
The 1960s was a period when writers in the West began to be aware of the extraordinary eloquence and popular attraction of the Russian poets such as Yevtushenko and Voznesensky - oppositional figures who could draw crowds. The Russian poets recited f...
If you’re honest with yourself as a writer, trying to tell the best story you can, your story will be an honest one. And your values will come out, no matter how hard you try to disguise them.
Every good writer I know needs to go into some deep, quiet place to do work that is fully imagined. And what the Internet brings is lots of vulgar data. It is the antithesis of the imagination. It leaves nothing to the imagination.
I seriously doubt I would ever have written the first story had I not been a lawyer. I never dreamed of being a writer. I wrote only after witnessing a trial.
When people used to call me a political writer, it was kind of confusing because I was always much more interested in the social end of things which hinges on the political, but it isn't really part of it.
I now can be sure that, once I start writing a book, I'll be able to finish it. I've also become more assured about my 'voice' as a writer and being able to keep the characters true to themselves.
The shows I've been working on, especially 'Parenthood' and 'Friday Night Lights,' I think are completely character-driven stories. I think, for most writers, that's a privilege to be telling those kinds of stories. It's erroneous to me.
As a writer, I have this compulsion to take characters who appear formidable and bombard them with adversity until they crumble. What's interesting is watching them rise again, and seeing how they've changed and grown, if indeed they have.
I wish podcasting was my only job - I have more fun doing that than I have doing absolutely anything else. But my job is that I'm a writer.
Acquiring an aggressive, honest, and communicative agent with actual relationships in real-live New York publishing houses is, in my opinion, the single most important move that a writer who aspires to be successful can make.
When you're starting off as a young writer, you look at all the stuff that's gone before and the stuff that's influenced you, and you reach the ladle of your imagination into this bubbling stew pot of all of this stuff, and you pour it out. And that'...
My parents thought it was nice to develop my imagination, but they never seriously thought that anything would ever come of it. They said that I couldn't be an actress because I would be taller than all my leading men, so I thought I would be a write...
The writers that I aspire to, like Joni Mitchell and Randy Newman, they'll tell you that the work gets harder, not easier. And they set that bar for us where we're always striving to do something better than the last time, whether it's the next song ...
By the time I started high school, I knew I wanted to be a writer. After graduating from Smith College in Massachusetts, I moved to New York City and worked for the advertising agency J. Walter Thompson.
As a past president of the Writers Guild, I think women shouldn't write for free. Maybe you have to do it for a time, to make a reputation, but I think the idea of giving your work away is the beginning of authors not being able to make a living.
As a writer, I am an intellectual. I believe in the ideals of the Enlightenment, I believe in the written word, in dialogue and in truth. I hate lies more than anything else. Most of the time I react by writing.
Every time I've had to do journalistic investigations, I've cursed, but later I discovered that it had helped me enormously with writing fiction. It's the one thing that can save me from becoming an academic writer.
