I think I became a writer because I used to write letters to my friends, and I used to love writing them. I loved the idea that you can put marks on a page and send it off, and two days later, someone laughs somewhere else in the world.
Writing is as big a part of my career as acting is, financially and time wise. So, yeah, I love it. That's all I wanted to do since I was young was be a writer. So that and acting are the two most important aspects of my career.
The reason that I'm a writer today is because of Shakespeare and falling in love with Shakespeare when I was 8. That was through the movies, actually - through Olivier's 'Hamlet.' That was the first thing that got me to fall in love with Shakespeare ...
I figure that that has a ten year cycle. At the end of that ten years, I began to get worried that I would run into what is known as the writer's block, the feeling of not being able to do these things.
You have to remember that I was a bright but simple fellow from Canada who seldom, if ever, met another writer, and then only a so-called literary type that occasionally sold a story and meanwhile worked in an office for a living.
Writers say two things that strike me as nonsense. One is that you must follow an absolute schedule everyday. If you're not writing well, why continue it? I just don't think this grinding away is useful.
To do justice to a lifelong dream of being a writer, I must give it the intense concentration and focus I gave to track. To do both with excellence is not possible. It is with a sense of sadness and joyous anticipation that I leave track and move on.
I can imagine the writers of China, England and France, crippled and unsure of themselves when they feel that the ghosts of Confucius, Mencius, Chaucer and Shakespeare and Victor Hugo are looking over their shoulders.
Books that teach us to dance: There are writers who, by portraying the impossible as possible, and by speaking of morality and genius as if both were high-spirited freedom, as if man were rising up on tiptoe and simply had to dance out of inner pleas...
There's a book called 'Where The Wild Things Are,' by American writer Maurice Sendak... it really is the most sublime book. It's a picture book, but it works at so many levels, and it's fantastic.
From my years of teaching creative writing, I know that new writers take the setting for granted, as simply a place to set the action, but setting is a vital element in fiction writing and deserves serious treatment.
I am a struggling writer. A middle-aged man with two little kids and I'm just trying to earn a living. So buy this book - or my kids will have to go to foster care.
You see the genius that Whitney Houston has as an interpreter of material, and you realize why genius can be applied to only a few interpretive performers. She finds meaning and depth and soulfulness in a song that often the writer and composer never...
Naturally, since I myself am a writer, I do not wish the ordinary reader to read no modern books. But if he must read only the new or only the old, I would advise him to read the old.
Wherever you find a little study circle of Christian laity you can be almost certain that they are studying not St Luke or St Paul or St. Augustine or Thomas Aquinas or Butler, but (contemporary writers), or even myself.
For a writer, I'm not sure that feeling of knowing you've just written something good and strong can be trumped. Not because it means I did something right. But because it proves how many wrongs I pushed through to get there.
I think Chris Brown gets kind of dismissed as a gay writer, and I think Chris's books are really, really smart. I wish his books sold a little more widely.
Probably I, like a lot of people, became a writer in imitation of or in homage to the books I enjoyed. When you're so captivated by something, you think, could I do that? Hmm, let me try.
To become better writers we must become the best thieves and liars in the business. We slink around the pages of everyone else’s work and shove it into our pockets. Then we run home and try to make it our own.
If you are a writer and you write/understand sarcasm please be thankful to the government and the masses. Without their hard work and supreme idiotism it wouldn't have been possible. You owe them the brutal sarcasm, they've earned it!
Many writers were picked on as children. Why? Because they were weird from the get-go. They were often to be found at the back of the class smelling erasers, or talking to caterpillars, or walking down the street with an encyclopedia balanced on thei...
