I am a writer, which means I write stories, I write novels, and I would write poetry if I knew how to. I don't want to limit myself.
I certainly derived my skills as a prose writer from my scrutiny of poetry and of the individual word. But schools don't do things like that anymore - tracking words down to their roots.
I don't like political poetry, and I don't write it. If this question was pointing towards that, I think it is missing the point of the American tradition, which is always apolitical, even when the poetry comes out of politically active writers.
When you translate poetry in particular, you're obliged to look at how the writer with whom you're working puts together words, sentences, phrases, the triple tension between the line of verse, the syntax and the sentence.
Vita Sackville-West is one of my favorite female icons. She was a writer and a prolific gardener, but she also had a relationship with Virginia Woolf, and she was married to Sir Harold Nicolson. She was a woman who lived outside of norms.
If my career continues along its current arc, people will probably look at me and see a writer who is obsessed with the relationship between rich and poor and with how the rich somehow or other always manage to betray the poor, even when they don't m...
The truth is, everything ultimately comes down to the relationship between the reader and the writer and the characters. Does or does not a character address moral being in a universal and important way? If it does, then it's literature.
I have learned to respect ideas, wherever they come from. Often they come from clients. Account executives often have big creative ideas, regardless of what some writers think.
The thing with videogame characters is that they tend to be really undercooked, and people don't take the time to really flesh them out. They don't treat them with the respect that a writer writing characters in any other medium would treat their cha...
I always try to stick to the script because I want to respect the writers, and I want to respect the director. But if the director and my fellow actors are okay with me playing with it a little bit, then I definitely want to play with it.
The 1970s were so wonderful for women writers. There were all these women, and they were seen as doing the most interesting, innovative and exciting stuff in science fiction. I was inspired by that.
The entire Internet, as well as the types of devices represented by the desktop computer, the laptop computer, the iPhone, the iPod, and the iPad, are a continuing inescapable embarrassment to science fiction, and an object lesson in the fallibility ...
Science fiction readers probably have the gene for novelty, and seem to enjoy a cascade of invention as much as a writer enjoys providing one.
I like 'Bewitched' off the first album because it's one of the happiest songs I've ever written and, as any writer will tell you, happy songs are a million times more difficult to write than sad songs.
When I was young, I never thought I was going to be a writer! I was academically orientated and active at sports, but I didn't have one creative bone in my body.
I think having a vision can make someone an influential man. I'm not talking about acting or anything like that, I'm talking about people I admire, whether it's a writer or a musician or a sports figure or a politician, whatever.
One of my first jobs was at the Boston Globe. I worked in the sports department six months a year. When I was ready to graduate, the sports editor gave me a job as a schoolboy sports writer.
When 'The Shadow of the Wind' became a success I had already been a working writer, I'd been through the ups and downs, I'd seen how it worked.
I was training to be a lawyer... I was president of the law society at Glasgow University, and my bass guitarist was my secretary of my law society; the lead guitarist and writer worked at the law firm that I worked.
I believe that writers, unless they consider themselves terribly exquisite, are at heart people who live by night, a little bit outside society, moving between delinquency and conformity.
When I was in graduate school, I had a teacher who said to me, 'Women writers should marry somebody who thinks writing is cute. Because if they really realised what writing was, they would run a mile.'
