Miles Raymond: Hey, what should I wear? Jack: I don't know, something casual but nice. They think you're a writer.
I'm not a huge fan of prequels and sequels and the cynical rush to make money on the back of books by other writers who are now dead.
I never became a writer for the money. I am a poet first. Even getting published is a miracle for poets.
The career of a writer is comparable to that of a woman of easy virtue. You write first for pleasure, later for the pleasure of others and finally for money.
There was a little movie I did called 'Women In Trouble' that a friend of mine made. That, to me, was a very satisfying project. It was shot so quickly during the writer's strike, and there was no money. It was a really fun project.
A writer has an inescapable voice. I think it's inherent in the nature, and I think that we don't control it anymore than we control what we want to write about.
A writer should express criticism and indignation at the dark side of society and the ugliness of human nature, but we should not use one uniform expression.
I'm insatiably curious about human nature. I feel very lucky that as a writer I get to learn so much about it just to do my job right.
Well, I'm a writer by nature, and I got a little bit - a little taste of a daily fast-paced writing job, writing career, and I loved it.
It is insight into human nature that is the key to the communicator's skill. For whereas the writer is concerned with what he puts into his writings, the communicator is concerned with what the reader gets out of it. He therefore becomes a student of...
When the modern movement began, starting perhaps with the paintings of Manet and the poetry of Baudelaire and Rimbaud, what distinguished the modern movement was the enormous honesty that writers, painters and playwrights displayed about themselves. ...
I think poetry is the only domain where a writer you like can truly be said to influence you, because you read and reread a poem so many times that it simply drills itself into your head.
When you're writing fiction or poetry... it really comes down to this: indifference to everything except what you're doing... A young writer could do worse than follow the advice given in those lines.
Why do writers, say, give up a job in economics and decide to write poetry? Or, why do they give up a job in a bank and decide to paint, like Krishan Khanna? They want to convey something.
But the French writers always had more originality and independence than others, and that regulator, which elsewhere was religion, long since ceased to exist for them.
Royalties are not how most writers or musicians make their living. Musicians by and large make a living with a relationship with an audience that is economically harnessed through performance and ticket sales.
There's a lot of comics writers out there whose work I appreciate and who are nice guys. I really want to work with guys I really respect and enjoy.
I believe that, like most writers, my personality comes through in the fiction. So in that respect my writing can't be like any other author's really.
Science fiction writers missed the most salient feature of our modern era: the Internet.
The first thing is that we're being attacked by both the Writers Guild and the Producers Guild. Both of these groups are trying to diminish the importance and strength of the director. They're trying to do it through both frontal and side attacks.
Years of imprisoning and beheading writers never succeeded in shutting them out. However, placing them in the heart of a market and rewarding them with a lot of commercial success, has.
