I will say that comic books are not the easiest things to translate to film, number one. Even the most well meaning of filmmakers find what's acceptable on the printed page is very difficult to bring to film.
Eventually, if you had a printer that is IPP compliant, that printer will have a Web address and anyone around the world who can get on the Internet can print to that URL.
There are countless artists whose shoes I am not worthy to polish - whose prints would not pay the printer. The question of judgment is a puzzling one.
Printed books usually outlive bookstores and the publishers who brought them out. They sit around, demanding nothing, for decades. That's one of their nicest qualities - their brute persistence.
Ideally my goal is, before I die, to have some information about every word that's ever been used in print.
I've realized why I don't tell the truth in interviews. It's because they're printed months later, and you change so quickly - you have new thoughts, new everything - so people are reading an old version of you.
Not merely can people like me write things that would never have been printed before but I think an enormously dramatic change has taken place in public opinion, possibly for the wrong reasons.
I hope that not only my documentaries, but everybody's documentaries, last. It will really confuse historians in the next century, because they'll have, in addition to all the print material, they'll have all these pictures to look at.
My parents didn't make a lot of money. My dad was not a high school graduate - he didn't have a career as such; he was a printing salesman essentially for most of his working life.
Similar to computer technology in the '60s, 3-D printing is a universal technology that has the potential to revolutionize our life by enabling individuals to design and manufacture things.
Do you know the difference between education and experience? Education is when you read the fine print; experience is what you get when you don't.
I read real books. On paper. You know, those printed books? I feel like this is the last thing I do to support my industry. I think they smell great, too.
During my past career as a journalist, I relished writing obits and equally dreaded phoning relatives for the necessary facts. But to my surprise and great relief, they often wanted to talk - they wanted their recently deceased loved ones recorded in...
We were working with this lousy print and it just wasn't going to be good enough. I said that we should get the original negative and do it from that. Well, a couple guys pointed out that the negative was locked up over at Deluxe.
Whether in print or other media, a good biography is more than a court record or a stringing together of already familiar sources. It breathes life into the subject.
One-newspaper towns are not good because all the surviving newspaper does is print money. They make 25 percent on their money every year, and if they go down to 22 percent, they start laying people off.
My second book, Follow Me Down had some success, got good critical notices, went into a second printing and things like that, but Shiloh was by far the most successful of those first five novels.
When you print money, the money does not flow evenly into the economic system. It stays essentially in the financial service industry and among people that have access to these funds, mostly well-to-do people. It does not go to the worker.
If you're famous and supposedly wise, it's always a good idea to have a tape recorder in the room. Never can tell when you might spew out a line or two worth printing somewhere.
I think there's a future where the Web and print coexist and they each do things uniquely and complement each other, and we have what could be the ultimate and best-yet array of journalistic venues.
When you have a perfect free market, it's difficult to predict the future. But when you have a market that is disturbed by government manipulations and money-printing, it's impossible to make any predictions.
