Kino: It's pretty interesting, isn't it? Hermes: What is? Kino: The way that when someone expresses something, someone else always shows up to interpret it. Maybe the world is just a series of such events.
I'll need every ounce that I have to drive it through. Film and TV require that energy. Sometimes fight scenes can be pretty intense. When I was shooting 'Heaven' it was truly guerrilla film-making.
I was a Russian dancer in my elementary school production of 'Fiddler on the Roof' when I was in third grade or fourth grade. I was one of the younger kids accepted into the play, and the plays were pretty impressive, let me say.
The silhouette is the most important thing in clothes. Every French girl knows that. High-waisted trousers give you long legs and a pretty bum which, after all, is what we all want.
When I got off '24,' pretty soon after that I did a movie that took place in the '70s, this movie with Jimmy Caan and Gena Rowlands, and I needed to kind of have that '70s pouffy housewife hair.
If you think that there are actually covers that we haven't done on 'Glee' that I could then put on an album... We've done everything! Pretty soon we're just going to have to start doing opera and stuff on the show.
I was 17 when I auditioned for 'Miss Saigon.' I really grew up doing that show. I pretty much knew, almost a year into 'Miss Saigon,' that I was going to be a performer, that I was going to be singing and acting.
I think love without heartbreak is a myth. A pretty myth, but the kind of myth that ultimately makes us feel worse about ourselves because we're somehow not able to make it come true.
I've actually found the image of Silicon Valley as a hotbed of money-grubbing tech people to be pretty false, but maybe that's because the people I hang out with are all really engineers.
I like to begin every screenplay with a burst of delusional self-confidence. It tends to fade pretty quickly, but (for me, at least) there doesn't seem to be any other way to start writing a script.
I am diagnosed with what's called 'REM behavior disorder.' As far as the disorder goes, there's no cure, but it's going pretty well as far as these things go. I see a sleep doctor, take medication, etc.
Fleetwood Mac has been pretty truthful. Open about what we do. We've always done it from the inside out. Versus being pressured from the outside and changing the inside. And that's our story.
Life is not a journey to the grave with the intention of arriving safely in a pretty and well-preserved body. But rather, to skid in broadside, thoroughly used up, totally worn out, and loudly proclaiming .... WoW, what a ride.
I used to turn my shoulders pretty level, which a lot of golfers think is correct. But that made my swing too shallow coming into impact, so my contact was picky, especially off the turf.
I've been around long enough to know that empires come and empires go, and I can't tell how long the Google empire is going to last - but I'm pretty convinced that the answer is less than forever.
It may be true that the law cannot make a man love me, but it can stop him from lynching me, and I think that's pretty important.
I think we need to do as much as we can to give back to these young kids growing up. I think we've done a pretty decent job so far.
With chefs, the problem is we have to be very confident because people are looking at us for that. So pretty soon, you think you're a plumber, you think you're an electrician, you think you're an accountant.
If I'm excited about it, I'm pretty sure an audience is going to enjoy it. If I'm bored with an idea, you can bet they're going to be asleep. So I try to only do things that I'm fairly excited about.
On 'Whose Line,' we had six, seven, eight scenes per show, so everything was pretty quick. And there's a lot of games that we just got tired of, like 'Hats' and 'World's Worst' and 'Hoedown' and stuff.
I've had Botox, but then again pretty much everyone I know has. To me, Botox is no more unusual than toothpaste. It works. You do it once a year - who cares?
