If you drop a book into the toilet, you can fish it out, dry it off and read that book. But if you drop your Kindle in the toilet, you’re pretty well done.
I had a lot of ideas on how comics worked and pretty early on I had this idea that it would be fun to explain them in comics form.
I grew up in an apartment that would have made a trailer look really decadent and nice. Pretty much the only dependable thing I had was books.
Personally, I don't really have a set style or look. It's pretty much what I feel like wearing that day, from a floral-print dress and high heels to ripped jeans and army boots.
Until I was four years old I lived in the house of my paternal grandfather, about two miles from the pretty little village of Wallace, at the mouth of the river of that name.
You'll have to leave my meals on a tray outside the door because I'll be working pretty late on the secret of making myself invisible, which may take me almost until eleven o'clock.
It's easier to play a dim character, for me, because I have a natural bent for comedy. It's not intrinsic for me to be crafty, so I would have to go outside for a source of origin. I think of myself as pretty dim.
Right when I finish a workout, I feel pretty sexy. Even though I'm sweaty and I don't smell like a rose, I feel strong. It does a lot for me mentally and physically.
As a kid, I pretty much got nothing but scorn, and occasionally active animus, for writing fantasy and squirreling it away in my closet and, later, under the mattress supports in my bed.
The only movie that I would ever even consider retrofitting is the first 'Jurassic Park,' which I think would look pretty spectacular in 3D. That's the only one of my films that I would consider doing in 3D.
Well over fifty years ago I was making radio loudspeakers and radio sets in Rochester, New York; pretty young and inexperienced; but we survived the depression.
I'm pretty involved in everything I do, which isn't always efficient and doesn't necessarily make for the more successful product. But I do feel that, in that sense, everything I do has a comprehensiveness to it.
People assume that 'The Expendables' is old school, but it's only old school because that's the way I know how to make an action film. It's pretty real.
I came to the big city and I started to get involved in the punk scene and stuff, and I wanted to sort of brand myself. I made a pretty conscious effort to be a different type of person.
The Lilith Fair thing was Bummer Town - hey, hop aboard the marginalizing train. I guess you had people come out of that and have careers, but I think there was a pretty intense backlash, too.
I literally was saved by a role, from becoming a cab driver. I never did have to wait tables, though, so looking back I guess I had it pretty soft.
At the core, coaching authenticity is complicated - some might say impossible. Telling someone to be authentic sounds pretty low calorie, especially to a founder plowing through a list of product and operational goals. But it's important.
I'm so focused on trying to craft the story that I'm in my own little world with it and that process. The one reader I'm trying to please as I write is me, and I'm pretty difficult to please.
I was unknown because I came to Washington from the West. I started covering Watergate. Immodestly, I'd say I did it pretty well, in part because it was hard to go wrong.
And I'm auditioning right now for a movie, and then I have a script that I'm reading right now for a horror film, and I'm meeting for a couple of television shows that I just had yesterday, and pretty much was offered one of them.
I'm tall with broad shoulders. And my waist is small. I'm into fashion, so I like the way clothes lay on me. I'm pretty much a normal person's size, just stretched out.
