Physically my brain is in great shape. My motor functions are fine, but I think going through the whole ordeal... coming pretty close to death, may have affected my priorities.
I don't have a ton of enemies. I get along with people pretty well when I'm not annoying them to death.
When we play 'Angel of Death', it's actually a 2 and half minutes sing 'til our party starts. That song is pretty much been played traditionally in the end.
Sugar does make people happy, but then you fall off the edge after a few minutes, so I've really pretty much cut it out of my diet. Except for cupcakes. I like those.
All my freakouts have been pretty private and directed at family pets and/or people I have been dating for too short a time to freak out at in that way.
Being the lead of the show and working a lot of hours - all good stuff, a tremendous education, incredible opportunity, it changed my life - it was a marathon, and by the end of it I was pretty beat.
We are looking for ways to decrease the dropout rate. I am pretty sure, if we eliminate career and technical education, we are going to increase the dropout rate.
The Yas Marina circuit is really pretty impressive. The track itself has some quite slow corners and not a great deal of overtaking opportunities, but it seems to combine a road course with a circuit course.
For 'Spartacus,' we've committed 100 percent of our production time to creating great scenes. So all the training I do is on my own time. And that's pretty limited.
People who aren't complicated in real life come through as pretty bland on the screen. Most great performers are not very happy and well adjusted. Perhaps that's the price they pay for being originals.
I played ping-pong with Prince. That's pretty surreal. He gave me a lesson before we played; like, he's great. He's a master at it, so I took the free lesson.
I always thought Broadway's the goal, and then I moved out to L.A. with 'Wicked' and started doing guest-star spots and little recurring things, and I was like, 'Well, this is pretty great; I'm kind of digging this.'
One of the great things about acting is you can do things that in real life would get you in trouble. I think that's something I figured out pretty early on.
I had a great time in high school. I really did. I went to a private Christian high school and I graduated in a class of 67 kids, so it was pretty small, and I knew and loved everybody.
I guess I can't be a great architect. Great architects have a recognizable style. But if every building I did were the same, it would be pretty boring.
What I love about 'Criminal Minds' is that Morgan is an ex-marine, ex-SWAT. To do those things you have to be a pretty badass dude. It's a great incentive to stay in shape.
I just like to go where the material is, whether that's TV, or movies, or the stage. As long as it's great writing, it's pretty much something I can't resist.
That was when Neil discovered Jack Nietzsche. They went off and pretty much came up with that by themselves, but I thought it was a great song, and I was more than happy to do my harmony parts on it.
My advice is if you have to do music, then do it! There's no choice in your heart and your soul - unless you have that kind of great need, desire and determination, it's pretty tough out there!
If it's nice out, I swim pretty much every day for about half an hour. I have a great pool; it's very private and not too many people use it.
I guess 'The Player' was a pretty good L.A. movie. And 'Chinatown.' Was there ever a better L.A. movie about a certain period in L.A.? That was terrific.
