For me it always comes down to what is a good song and I'm very old fashioned in the way that I like to make songs that have something classic about them whether you can play them with an orchestra or an electro synthesizer or an acoustic guitar.
I don't just want to sing about simplistic things all the time. It's good to have a mix of songs that have a real depth, and that provoke and challenge people, and then songs that are fun and people can enjoy.
One of my side strange abilities is to hear a good song, no matter how it's being performed. Even if you get a bad performance, I can still hear that there's a good song.
I think I always had a musicality, and I think I could tell a good song from a bad song. And I would appreciate hearing something that was new to me.
I am never excited to play through a song all the way, because it can reveal more flaws that mean more work. For some reason, I always have an irrational fear that the song will never be finished.
It's so funny because I listen to songs that I recorded that I didn't really know anything about at the time. Later on I'm starting to feel the songs. Sing them first, feel them later.
I think people should be able to have at their behest, like, four hours of music, entertainment, visual knowledge, different pathways. That's what I'm trying to do with modern technology, not just another song and another song.
I'm not deciding what the artist is going to write about because it's the artist. They're gonna have to sing that song for the rest of their life. When they're old and they're 80 and they have their show in Vegas, they're gonna have to sing that song...
Writing songs helped me figure out how to communicate with other people. I finally figured out that if I could express something in a song, I could probably express it in my real life, too.
Even in the beginning, when we knew there was a legal argument about how much our song sounds like his song, as one songwriter to another, I wasn't sure that Cat Stevens would take that as bad.
Part of the joy of music is listening to lots of different kinds of music and learning from it. Specifically for me, I like writing songs that move me, and what moves me are beautiful songs on the piano or the guitar and really, really heavy music.
There's a certain feeling of giving, a certain feeling of generosity in love songs. When you sing a song of love, you're actually giving something to yourself, too. You're singing and casting these affirmations of love out into the universe.
Well, as a songwriter, it's really dangerous to use the word love in a song. It's a word that has been used in songs so many millions of times before, and it's the most popular topic to ever write about.
When I was 13, I got my first guitar, and I could sort of play Ted Nugent songs, but I couldn't play the solos. But I could play along with entire Ramones songs.
There's a whole bunch of unfinished stuff. Then I've got books of lyrics. I find it frustrating to finish a song and not be able to record it... so I don't write a million songs.
A song is only as strong as its foundation, and when it comes so naturally in any setting, those are the songs that will hopefully outlive you, maybe even outlive the next generation of You.
I've written many extra verses to songs that I learned to sing - an extra verse about a friend, or just add some verse - and that led to writing my own songs.
We are not a Zappa cover band. We only play Frank's songs that were recorded by the Mothers of Invention and I think a lot of those songs were complex.
Alan Cumming was such a fun guy to watch. I remember he has a song in the first 'Spy Kids' movie, and when Danny Elfman came to set, they were working on the song.
I usually don't write songs by people calling me and saying, 'Write a song about this.' Usually I'm just going with what I want to write, so you never know.
When I write songs, when I sing songs, I don't have anybody in mind. I'm just trying to express what I think people are feeling.
