I guess that I'm primarily thought of as a rocker, largely because of 'Frankenstein' being such a heavy song - you know, it was really hard rock, almost a precursor of heavy metal and just the image of the synthesizer. I happened to be the first guy ...
The God of the universe--the creator of nitrogen and pine needles, galaxies and E-minor--loves us with a radical, unconditional, self-sacrificing love. And what is our typical response? We go to church, sing songs, and try not to cuss.
'Spectrum' is in part a disco song. But we play it hard, and it's a real euphoric, wailing tune. It's kind of like a total house anthem, in a way, but it seems to be going down really well. We've got all the grunge kids going mad for disco house rave...
There aren't any rules, as far as anything-and that applies especially to writing songs, whatever gets the point across. So you're just kind of brought up to feel-in any field, if you say you can do it, do it. There it is.
The purity of finding the right artist, that artist that's gonna be the next hall of famer, that artist that's gonna be the next headliner, lifting people out of their seats at Madison Square Garden, that song that's gonna be sung for hundreds and hu...
If I would get an album out every eight months and if I would write songs that were more up-tempo and try to focus more on making singles, then I could probably get more attention. But I don't think the albums would be very fun to listen to, and it w...
I think for new artists the hardest thing is putting the face with a name. People maybe heard our song on the radio or something but until they get several impressions of who you are - from whatever it is, whether TV or a live show, I feel like they ...
I think there are some songwriters who are just brilliant who can write and then I think there are some songwriters who can like me I have a problem writing chorus lyrics but I can write a song in a story like that.
I do not mind having written the song at all. I just wish that I had written it in a different key, as the high d is hard to play. I am glad that I wrote something that brought joy to millions of people.
To outsiders it probably seems like splitting hairs, but to me, Bright Eyes is a simply the collaboration between myself and Mike Mogis and Nate Walcott. What you hear is definitely the sum of all our ideas and represents all three of us. But I still...
With 'Acid Rap,' I allowed myself to be really open-minded and free with who I allowed into my musical space. I wanted to make a cohesive product, but I also just want to make a bunch of dope songs inspired by whatever sounds I liked.
I think I'm going to put together a compilation under Disney's name of my songs that I've done for them - because I've done six or seven by now! The latest was for the Princess Diaries 2 soundtrack. So that's the next thing that's coming out.
Growing up, my favorite group was New Edition. I loved the opportunity to do the remix to Bobby Brown's song 'Get Away'. I told myself that I would have my own group like New Edition one day.
There's nothing wrong with the screaming style of singing, and I'll be the first to admit that it conveys an emotion. But I'm getting older, and I can't scream and shout about the same things anymore. The songs I'm writing with Stone Sour call for a ...
Now one thing I think is really lame, is if you're an artist and you go to a karaoke bar and sing your own song. I like to get up there and sing stuff that I would never sing on stage anywhere else. Like Neil Diamond.
I decided I was just going to sing the type of songs I gravitated toward and inspired me and moved me. I was going to let the people whose job it was to decide what places to put it, and let them do that. I'll stick to the singing part.
But we're not humanity, we're just one culture - one culture out of hundreds of thousands that have lived their vision on this planet and sung their song. If it were humanity that needed changing, then we'd be out of luck. But it isn't humanity that ...
I push myself in a lot of aspects when I write a song. I write a piece and where most people would stop and say, 'Oh, that's the hook right there,' I'll move that to the first four bars of the verse and do a new hook.
We learned a verse of this and that and we were having fun with the songs. Tommy would make up stories to go along with them and I would yell at him, 'Hey, stupid, that's not right,' and he was like a silly kid trying to impress.
I know what it's like to have a broken heart. I know what it's like to feel pain: When my songs don't become hits, it breaks my heart. There are a million ways to break a heart. I can relate.
We will have close to 3 months of rehearsals to learn about 30 songs. Frank usually rehearsed a band for at least 3 months. If it took him that long to be comfortable we probably would need double the amount, but It's just not financially possible to...