We just wrote songs that seemed good to us. We wrote the album in like two weeks. We could have had more time, but we accomplished what we needed to in the two weeks.
The strongest feelings I've had in my life are when love has gone right and when love has gone bad. And I think strong feelings make good songs.
If people stop being interested, it's because you haven't written a good enough album. Music will always be the most powerful thing. It doesn't matter what record labels or journalists say. It's the song.
I can sit and analyze everything and beat myself up and say you don't quite sing as good as you used to, you're writing better songs maybe than you used to, but to me it's just the journey.
Although I don't come from a musical background, I was given piano lessons along with my sisters, but I wasn't what you would call a good student. I tended to write songs rather than do scales.
'Safe Harbor' is a state of mind... it's the place - in reality or metaphor - to which one goes in times of trouble or worry. It can be a friendship, marriage, church, garden, beach, poem, prayer, or song.
Music is in me. I don't have much of a choice. People might listen to one of my songs or come and see my because of my famous last name, but if my music's not good they won't hang around.
The big thing that everyone forgets, you're famous and on TV and everything, but I think there's something very rewarding to be able to write a song, record it, and have it turn out as you heard it in your head, or even better.
'Brand-Dropping' is the term that the Kluger Agency coined to describe discreetly advertising by product mentioning in song, and we feel we can make this the way of the future without jeopardizing any artist's creative outlet or typical style.
I do write a lot of children's songs, and I'm going to do a children's television show, which also means I'll be doing a lot of albums. So I do hope my future will hold a lot of things for children.
I fantasise about what the future could be in terms of aesthetic and psychology. It's the most difficult thing to do because you have to start from the past - your favourite architect, your favourite song - you take it all with you.
I had a hip replacement a couple of years ago. I have a song about that. And why wouldn't you? It strikes me that that was a huge event. It's kind of funny and horrible and interesting, so why wouldn't one write about that?
I would like to be remembered as a - somebody who could rock your soul or make your cry with a song. And somebody who's kind, who loved to laugh, and loved his God.
Don't Cry Daddy is a pretty sad song. He got to the end of it and it was just real quiet and Elvis says, I'm gonna cut that someday for my daddy. And, by God, he did. He lived up to his word.
In real life, I am emotionally confused, which enables me to write songs. I'm a Pisces, and they say that Pisces are very sensitive. If men were just honest with themselves, they would see that they all have that side.
For a person as obsessed with music as I am, I always hear a song in the back of my head, all the time, and that usually is my own tune. I've done that all my life.
Music can bring about different vibes on the field, off the field, urban life, going to church, leaving church. Everything the world may bring, there's a song for it to put you in the right frame of mind.
I'm extremely happy, but I don't do love songs for the most part. It feels weird; that's such a personal thing to me. I'd rather live that in my real life and play a different character outside of that.
I like to write songs about what's happening, what I see around me and what I hear. Everyday life. Someone may be talking to me and I may take it from that.
Poems and songs penned as an unstoppable outpouring of the heart take on a life of their own. They transcend the limits of nationality and time as they pass from person to person, from one heart to another.
I know I get a real kick, an emotional charge, out of playing a song I haven't played for 10 years. It just takes you back to that point in your life.
