When I'm singing a song, I picture somebody in particular. A lot of it is to a guy.
It can even be a single note which defines the entire song.
The way I choose to show my feelings is through my songs.
One of my theme songs is that if you can't do it in a test tube, don't do it.
It's a really personal thing for me to write a song.
We have always wanted to write songs and be experimental in that way.
There are so many songs that we just don't play anymore.
It's a unique thing to stand in front of a crowd and sing your songs.
Frosh-week songs are meant to be offensive because offensive is rebellious.
When you stick a song on a tape, you set it free.
To me, songs come of their own volition - and with an open-ended philosophy.
A song has to become as much a part of you as a tailored suit.
It's just a bunch of songs. I'm not trying to cure any major disease.
You've got to really know your song, inside and out.
A good country song takes a page out of someone's life, and puts it into music.
I'll be writing songs till I die. There's just no question.
The thing I always default to is that I'll always be here to write songs.
Do not abandon yourselves to despair. We are the Easter people and hallelujah is our song.
Experience is definitely the high road once driven. It actually enhances the songwriting and song sourcing process.
The song 'Can't Look Back Now' by the Weepies reminds me of the entire 'Life Unexpected' experience.
Nashville is the business center. They forget that the bottom line of it all is still the song.
