No poet or novelist wishes he were the only one who ever lived, but most of them wish they were the only one alive, and quite a number fondly believe their wish has been granted.
The interesting thing is that you don't often meet a poet who doesn't have a sense of humour, and some of them do keep it out of their poems because they're afraid of being seen as light versifiers.
Everyone his own cinematographer. His own stream-of-consciousness e-mail poet. His own nightclub DJ. His own political columnist. His own biographer of his top-10 friends!
There are no barriers to poetry or prophecy; by their nature they are barrier-breakers, bursts of perceptions, lines into infinity. If the poet lies about his vision he lies about himself and in himself; this produces a true barrier.
I turn to Willa Cather’s quote: Artistic growth is, more than it is anything else, a refining of the sense of truthfulness. The stupid believe that to be truthful is easy; only the artist, the great artist, knows how difficult it is.
Fighting and writing’s deepest layers of beauty lie not only in the physical and mental realms of what we know, but also as an incognizable instinct, a realm we will never fully know but will forever feel.
I’ve learned to fall like the BJJ player, to protect the body through controlling the distribution of force by slapping the mat with hands open. With hands open. Hands open. Open. O Pen.
A crowd of men stood in front of them. Of all ages, with expressions of sex-wonder in their eyes, gazing curiously as men who cannot solve a mystery that populates graveyards and through the ages has sent poets, popes, kings and fools to the junk hea...
I gathered poets around me and we all wrote beautiful erotica. As we were condemned to focus only on sensuality, we had violent explosions of poetry. Writing erotica became a road to sainthood rather than to debauchery.
Ginsberg was the favourite bohemian poet of straight college boys who wanted to transgress, and of gay college boys who were not yet ready to come out.
The poet, however, uses these two crude, primitive, archaic forms of thought (simile and metaphor) in the most uninhibited way, because his job is not to describe nature, but to show you a world completely absorbed and possessed by the human mind.
Every poet and musician and artist, but for Grace, is drawn away from love of the thing he tells, to love of the telling till, down in Deep Hell, they cannot be interested in God at all but only in what they say about Him.
The poet is at the edge of our consciousness of the world, finding beyond the suspected nothingness which we imagine limits our perception another acre or so of being worth our venturing upon.
It seems to me now that the plain state of being human is dramatic enough for anyone; you don't need to be a heroin addict or a performance poet to experience extremity. You just have to love someone.
Only the free-wheeling artist-explorer, non-academic, scientist-philosopher, mechanic, economist-poet who has never waited for patron-starting and accrediting of his co-ordinate capabilities holds the prime initiative today.
Write to me your most perfect epitaph, or I shall compare a poet to a lecturer. Thou art more Spartan than a ballad monger who makes his living as a Wal-Mart greeter;
People who think that Sylvia Plath was a poor, sensitive poet are not getting that she had great amounts of ambition and anger that moved her along, or she wouldn't have been able to fight against that depression to produce such an incredible body of...
For poets today or in any age, the choice is not between freedom on the one hand and abstruse French forms on the other. The choice is between the nullity and vanity of our first efforts, and the developing of a sense of idiom, form, structure, metre...
Examine this statement: ‘A woman cannot be a poet.’ Dr Samuel Johnson (Englishman 1709-84 Occupation: Language Fixer and Big Mouth.) What then shall I give up? My poetry or my womanhood?
The child is father of the man….attributed to Sigmund Freud, but believed to have been coined by a well-known poet years before Freud's time
It isn't possible to love and part. You will wish that it was. You can transmute love, ignore it, muddle it, but you can never pull it out of you. I know by experience that the poets are right: love is eternal.