I think there's one thing which distinguishes our art - we don't consider. We don't think. We write a little verse because it comes to us.
As much as we'd like to believe that our work is great and that we're infallible, we're not. Hollywood movies are made for the audience. These are not small European art films we're making.
I don't want to collect Indian art, though pots and beadwork and blankets made by Indians remain the most beautiful art objects in the American West, in my opinion.
If there is an art of living, it is not something that can be taught timelessly. We have lessons to learn from Aristotle et al, for sure, but not if we simply uproot them from their epoch and stamp them into 21st-century soil.
I go to make art as who I am as a person. The fact that I am a woman comes into play maybe in the kinds of things I'm interested in or in the way I structure a canvas.
I am trying to make art that relates to the deepest and most mythic concerns of human kind and I believe that, at this moment of history, feminism is humanism.
I feel like I have at least begun to make a contribution, but my most significant concern has to do with whether my actual art will be preserved for future generations or be erased.
'What is this', and 'How is this done?' are the first two questions to ask of any work of art. The second question immediately illuminates the first, but it often doesn't get asked. Perhaps it sounds too technical. Perhaps it sounds pedestrian.
Acting is an art form and you want to take roles that are challenged and it's more of a challenge I think to play dark characters. Not that I want to always play those, but it is a challenge and challenges are rewarding and fun.
There's that old cliche that art is never finished, only abandoned. That's the nice thing about comics. It forces you to abandon it long before maybe you're ready to let it go.
Science gave me a cosmic religious feeling, and I would get the same feeling when I was dragged to the Met and the Museum of Modern Art.
I was originally going to be a lawyer, and the only thing I remember from the art of cross-examination is - you can see this one coming up Sixth Avenue - never ask a question the answer to which you do not know.
I like a lot of modern art. I like Chuck Close a lot. It doesn't necessarily directly influence the work I draw on the page.
I have had this longstanding interest in going back to school to get a Ph.D. in art history. I was especially interested in exploring this idea of the ecstatic impulse in an artist.
With the advent of chivalry, the art of boxing waned. The evolution of feudal aristocracy, with other and widely different exercises, pastimes and weapons from those of the common people, made boxing unfashionable.
When we hear some beautiful piece of Mozart or admire a wonderful building, we suddenly become present in ourselves. That's unusual nowadays because dishevelment and distraction have become an art form.
I began to exercise a lot of cinematic muscle with the precepts I had learned in the New York art world. Film was intriguing. I began to think of art as elitist; film was not.
You are welcome to your intellectual pastimes and books and art and newspapers; welcome, too, to your bars and your whisky that only makes me ill. Here am I in the forest, quite content.
The novel is always pop art, and the novel is always dying. That's the only way it stays alive. It does really die. I've been thinking about that a lot.
Every man lives in two realms: the internal and the external. The internal is that realm of spiritual ends expressed in art, literature, morals, and religion. The external is that complex of devices, techniques, mechanisms, and instrumentalities by m...
I select a very small number of things to be sceptical about, such as markets, and on these I am hypersceptic. But I want to be fooled by randomness in art. I want the ceremonial of religion; we are made for it.
