Nicholson: You just made it big time. Nicky Dimes: You're no longer an extra... Nicholson: ...or a bit player... Nicky Dimes: ...or a supporting actor... Nicholson: ...you're a fucking star. You are a fucking star. And you are going to be playing you...
Ron Carlisle: I'm afraid you're not right for this role. Thanks for coming by. Dorothy Michaels: Why am I not right, Mister Carlisle? Ron Carlisle: I'm trying to make a certain statement and I'm looking for a specific physical type. Dorothy Michaels:...
George Fields: OK, I know this is going to disgust you, Michael, but a lot of people are in this business to make money. Michael Dorsey: You make it out like I'm some flake, George. I am in this business to make money, too. George Fields: Really? Mic...
Eddie Valiant: Weren't you the one I caught playing pattycake with old man Acme? Jessica Rabbit: You didn't catch me, Mr. Valiant. You were set up to take those pictures. Eddie Valiant: What are you talking about? Jessica Rabbit: Maroon wanted to bla...
Martha: I disgust me. You know, there's only been one man in my whole life who's ever made me happy. Do you know that? [pause] Martha: George, my husband... George, who is out somewhere there in the dark, who is good to me - whom I revile, who can ke...
[last lines] Charlie Kaufman: I have to go right home. I know how to finish the script now. It ends with Kaufman driving home after his lunch with Amelia, thinking he knows how to finish the script. Shit, that's voice-over. McKee would not approve. H...
Thor: [sees Thor laugh] You think this is funny? This could have been avoided if you hadn't played with something you don't understand... Tony Stark: I'm sorry... I think it's funny, I think it's a hoot that YOU don't get why we need this! Bruce Bann...
Guy in Restaurant: 'Scuse me. John Malkovich: Mm-hmm? Guy in Restaurant: Are you John Malkovich? John Malkovich: Yes, I am. Guy in Restaurant: Wow! You're really, uh, great in that movie... John Malkovich: Oh? Guy in Restaurant: ...where you play tha...
Hedley Lamarr: Meeting adjourned. Oh, I am sorry, sir, I didn't mean to overstep my bounds. You say that. Governor William J. Le Petomane: What? Hedley Lamarr: "Meeting is adjourned". Governor William J. Le Petomane: It is? Hedley Lamarr: No, you *sa...
People link the heart to stupidity. They say the heart wants what it wants; it is foolish and driven. They play the victim and blame their emotions for every pain they suffer. The truth is that we own our body.. Therefore we own our heart and it will...
What is this film (Mirror) about?It is about a Man. No, not the particular man whose voice we hear from behind the screen, played by Innokentiy Smoktunovsky. It's a film about you, your father, your grandfather, about someone who will live after you ...
The truthfulness of 'The Theory and Practice of Oligarchical Collectivism' is in doubt largely because of uncertainty about its authorship, and, as we have seen, a nearly identical ambiguity surrounds the Appendix. The parallel is significant. Two ps...
There was a basic harmony between Antonia and her mistress [Mrs. Harling]. They had strong, independent natures, both of them. They knew what they liked, and were not always trying to imitate other people. They loved children and animals and music, a...
Em, you have a soul.” “How can you be so sure of that, Hayden? How many people die and come back?” “No one dies and comes back. You did because of your sister, and you have a gift. Maybe that played a role in your coming back, but you have a ...
Look, this is all very, very weird. Why are you focusing on rumours and urban legends? You haven’t even asked me any normal questions.” “Normal questions? Like what?” “Like, I don’t know, like if Lynch had any enemies.” “Did Lynch hav...
Fourteen, fifteen, sixteen, seventeen, lemme tell you. Those are big years. Everybody always thinks of it as a time of adolescence—just getting through to the real part of your life—but it's more than that. Sometimes your whole life happens in th...
Speaking about time’s relentless passage, Powell’s narrator compares certain stages of experience to the game of Russian Billiards as once he used to play it with a long vanished girlfriend. A game in which, he says, “...at the termination of a...
there is still a kind of unique loneliness to child rearing for women. We so often do it in isolation. Add to the fact that in our competitive, perfectionist culture, in which the price woman are required to pay for freedom still seems to be martyrdo...
Time plays no role in the life of one man—the subtle consciousness of it floating past me is more than enough. Years, months, days, hours, minutes, seconds—what does it matter? Floating by, it rubs against my skin, face, and hair—wearing me dow...
The car drives through, stops while the man closes and fastens the prickly gate behind it. The bell shuts off; the stillness is deafening by contrast. The car goes on until the outline of a house suddenly uptilts the searching headlight-beams, log-bu...
For he did not, he would have said, care for women; he never felt at home or at ease with them; and that monstrous creature beginning to be talked about, the New Woman of the nineties, filled him with horror. He was a quiet, conventional person, and ...
