My complaint, as an exile who once loved New York and who likes to return a half-dozen times a year, is not that it plays host to extremes of the human condition: There is grandeur in that, and necessity.
I thought I could play the hellraiser and then put 'Johnny Vegas' back in his box. I found popularity through self-destruction. The more you damage yourself, the more people are drawn to you, and that can be quite addictive. It is not a lifestyle you...
I've been in the league 12 years. To sit on the bench and complain about the way things were, that doesn't get anything done. I don't know. I'm playing for a championship and trying to make the playoffs. My effort has never changed.
If someone were to ask me before I made the NBA, you going to have to go through all this, you're going to have to sign your soul away to play in the league, I still would have done it.
I think that my career speaks for itself and shows the type of player I am. I have never had a teammate who didn't enjoy playing with me. There are always going to be skeptics, but chemistry will definitely not be an issue.
Well, when The Black Keys make a record, I never really feel limited. To me, it seems the possibilities are always endless. The big difference has been playing live and being able to recreate every little part of the record.
'Deep Red' (1975) is my favorite movie. The character David Hemmings plays is very much based on my own personality. It was a very strong film, very brutal, and of course the censors were upset. It was cut by almost an hour in some countries.
It's like a whole orchestra, the piano for me. And also it's to me the greatest instrument. I shouldn't say that, but I believe that this is the only instrument I can really feel happy about playing.
We have a demon, we have an angel inside, within our souls, and you just play with it, and sometimes the evil part of you wins the battle, in a very important decision, or in a bedtime, with your lover. Sometimes you win, sometimes you lose.
Like a father with his daughter, the writist plays peek-a-boo with the world. His aim is to evoke that sweet smile, the one that says "i remember you. I am glad you are here again".
When I played with Johnny Cash and Waylon Jennings in Vegas, the guys used to go, 'Dick, cut it out, man! You're moving around too much on this stage. You're making us look bad!'
I found out retirement means playing golf, or I don't know what the hell it means. But to me, retirement means doing what you have fun doing.
My son Barry, of course, has been on from the beginning. And his son Shane is playing now a med student regularly on the show. And at one point or another, I've had all four of his kids on the show.
If we could sell 100,000 units every album, that would rock. We'd have a big cult following, we'd have a built-in fanbase so we could pretty much play anywhere, people would show up and rock out.
You could play the blues like it was a lonesome thing - it was a feeling. The blues is nothing but a story... The verses which are sung in the blues is a true story, what people are doing... what they all went through. It's not just a song, see?
I did, like, a couple of sexier videos, because all of a sudden I went, 'Wow, I have a body. I have this side of me that I haven't shown yet.' And I started kind of playing around with that side of things.
I think the thing I took most from game playing was just getting in the characters head. I took it really seriously. There's something about creating your character.
I had different bands. I played with the Acoustic Warriors for the most part, without girl singers. It was the same kind of sound, acoustic guitar, bass, with violin and sometimes accordion, and the guys would sing, that kind of thing.
As I see it, the debate between summer vacation vs. year-round school glosses over the most important questions. Namely, how can we bring play back to our nation's schools?
I wanted to play around with the format, really tear it to pieces and shake it up. For example, if Mitch saves someone from drowning, and that person then goes out and releases a virus that kills a million people. Imagine the moral implications of th...
My new play 'Chinglish,' which will go to Broadway, is about a white American businessman who goes to a provincial capital in China, hoping to make a deal there. It's bilingual. And it's about trying to communicate across language and cultural barrie...
