Play not with paradoxes. That caustic which you handle in order to scorch others may happen to sear your own fingers and make them dead to the quality of things.
I was a professional ballerina. After becoming an actress, I did a lot of theater, which included musical theater. The first musical play I did was Murray Schisgal's 'The Pushcart Peddlers.'
Audiences just naturally hate me on screen. I could play a role in a tuxedo, and people would think I was rotten. You can do much more with a villain part.
To me, if you're going to talk about funk, you have to go back to George Clinton and Bernie Worrell. Those guys are the giants. I've played with Bernie, and it was unreal. He's the master.
I do not think I reinvent myself. Wearing my hair differently or changing my style of dress is playing dress-up. I don't take it too seriously.
I am happy to be playing in the Premier League because everyone knows it is the strongest league in the world. There are simply a lot of top teams.
I was Renee Zellweger's fat doppelganger. If she ever played in a movie where she needed to be fat, apparently I could be her stunt double.
I played soccer, and I was the kid who ran the wrong way, or I was pretending to be some sort of zebra and I would flail my arms and kick up my legs.
Someone once accused me of slumming. I don't know what that means. I play basketball. And through that, I get to see a world that is not smart-kid world.
When I was in high school, I would perform every year in those plays and there was something I really loved about it. But I was completely unaware that you could sort of get into an acting career.
For me, drum elements are like hieroglyphics - I think of a certain physical figure, and a little three-dimensional glyph will appear in my mind as I'm playing.
I have six brothers and one sister. I grew up playing ice hockey, a total tomboy, and that's what I thought I was going to do - be an ice-hockey player.
When you set a play in the French Quarter in New Orleans, it's hard not to acknowledge the whole African-American, French, white mixing of races. That's what the French Quarter is: it's a Creole community.
I was terribly shy and never said anything in class. Then I started getting into school plays. When you've got words to say, you've got a sort of armour.
When you're playing a character in a book, there's already a lot of pressure because all of the millions of people who have read the series have been able to envision and become very attached to the characters.
There's a sound with Motley Crue, and it comes with Vince's voice, which is such an important part of the show, and Mick's guitar. And the way Tommy and me play together is an important part of it.
It was, she had to admit, some kind of wonderful to be kissed so deliciously by the only man who had dared play with her cat with the intention of winning.
It was, she had to admit, some kind of wonderful to be kissed so deliciously by the only mand who had dared play with her cat with the intention of winning.
On the other hand, I was very much interested in the way people behaved, the human dance, how they seemed to move around each other. I wanted to play around with that.
When I was young, I just sat down and started playing Chopsticks at the piano. I got so far and then lost interest. Eventually, I regained it and started writing songs.
So, for instance, if you came to me, I'd ask, 'Do you want to write? Do you want to improvise? Why do you want to play this instrument? What do you want to do?'