Sure we have skilled players, but the biggest thing might just be that we are so well conditioned and how we can play for 90 minutes at a high tempo which is needed in soccer at an international level.
I know I'm not the kind of person who's gonna wind up a walking jukebox, like many rock 'n' roll artists. They just play their hits and that's it. That doesn't appeal to me.
I can show you that I have played with just about every jazz musician, every African musician, every blues musician. It's not like I'm cashing in on a false concept. This is what I do.
I had sort of exhausted all the avenues playing in Detroit. So again, through the stewardship of my brother, I ended up in California and went to the Musicians Institute in L.A. I wanted to get better as a player.
There's something about the rawness of the live thing, there's no rhythm guitars behind the solo, nothing other than what you hear the people playing at that moment. It's exciting, it's about the performance.
I have the insecurities of any actress, I suppose of any woman. Even the most beautiful ones feel unhappy. Look at Bardot: she was suicidal. But I like to play with the camera. I like to ham it up.
I had always wanted to be an actress. I went to summer theater camp from kindergarten on up until high school, and always had the leads in all the plays - even though they were at the YMCA - but it was something I always wanted to do.
I hate the natural sound of the trumpet, but I think I'm naturally set up to be a trumpet player. I know that sounds weird. But pretty much anytime I play a note, I'm uncomfortable in a general sense.
I'm not a comedian. I can play off of people, but I'm not that guy. I don't want people being like, 'Yeah, he should have stuck with drama.' It would not be my choice to have critics mumbling that.
Plays are frequently infected with ideas that came from actors or even sound engineers. Some Shakespeare scholars wonder whether some of the Bard's lines came from onstage improvisations by actors.
I don't think there's been any writer like Samuel Beckett. He's unique. He was a most charming man and I used to send him my plays.
My job is to come up with something that you like and you agree with that you would play wholeheartedly. If we disagree, I may not be doing my job correctly.
I have always identified with Joan Didion's depiction of Los Angeles and Southern California, ever since reading 'Play It As It Lays,' 'Slouching Towards Bethlehem' and 'The White Album.'
A lot of people use collaborative technologies badly, then abandon them. They aren't 'plug-and-play.' The invisible part is the social skill necessary to use them.
In India, it is difficult for a cricketer to show that he is under some kind of stress. Here, you can only retire when you don't want to play anymore, or the motivation is lacking.
I would be in a room full of people being loud and running around, and I'd be in the corner just playing with the wall. So I was very, very quiet, but when I really got into the arts, that opened me up.
Be cautious of playing your Queen in front of your King and in subjecting yourself to a discovered check. It is better when check is given to your King to interpose a man that attacks the checking Piece than with one that does not.
Sean Connery wasn't the Scottish James Bond and Daniel Craig wasn't the blue-eyed James Bond. So if I played him, I don't want to be called the black James Bond.
I have never written a play, a story, a poem, or my one film - anything - unless something was troubling me enough, wrecking me, in fact, to drive me back into the absurdity of writing. I do not enjoy writing.
Attention may sound dull, but it is an essential aspect of consciousness. In fact, it governs what it is that we turn out to be conscious of, and therefore plays a part in the coming into being of whatever exists for us.
With 'That Awkward Moment', you could argue I'm just playing the girlfriend of Zac Efron, but the director was such a creative force and let me make her my own. I loved being part of something that felt so relevant and fresh.
