I was happy she got it and I have to sort of - and one of the reasons I did Third Watch is because I wanted to break that thing of just being the pretty girl and play it down and let it be about the work.
I think novelists should be disciplined and self-imposed working hours. I work a lot, but I don't feel that I'm working. I always feel that there is a child in me, healthy, and I'm playing.
In my game, you get brokenhearted a bit. You do a play, get a bad review in the papers... actors are sensitive; you think of all the work you've done, and it breaks your heart, but you learn to shrug it off and to carry on.
I don't really listen to my work. If I have to DJ and I play something, I hear it. But I don't sit quietly and listen to my work; I'm always off to do the next thing.
I don't feel that any kind of narrow stereotypes are representative of the work I've done, nor the range of the audience that work has found. I've played lots of different roles, and they've connected with lots of different people.
People see my body and ask me what I do to work out. I play a lot of basketball, so I'm constantly dribbling and running up the court. I take a basketball with me everywhere I go!
If it's not in New York, let's say it's in St. Louis, then they've got to find a place or get with someone who knows about the work... they've got to find a place like that and do scenes, and then try to get in plays.
I can get a better role in TV and work more constantly than I can waiting around for my friends in Canada to call me every four years - which they do - and I go up there and play a leading role.
It used to be that in comedy you had to play the clubs and work your way up, but now, before you do the clubs, you can put something up on the Internet. It's public access times a million.
If the audience is made to do not enough work, they resent it without knowing it. Too much and they get lost. There's a perfect pace to be found. And a perfect place that is different for every line of the play.
I started to work in television for three or four years, in 1954. There was one channel of television, black and white. But it could be entertaining and educational. During the evening they showed important plays, opera or Shakespeare's tragedies.
I think women have long been defined by their roles as procreators and wives, and we're expected to serve, take care of, say 'Yes,' and not ruffle any feathers. Women, in particular, are sometimes not allowed to consider who they are outside of the r...
I don't like the idea of playing a one-dimensional character who is just fearless, strong, and killer and has instincts and just thrives in dangerous circumstances - that's really boring to me, and I don't think it represents what most women feel ins...
There are days when I think the National Endowment for the Arts should issue a quota system for the production of plays by women - especially when you realize women buy 70 percent of all theater tickets.
There are expectations in how you play your character as a black woman, to be sassy and the same kind of feel, as if there are no quirky black women. I struggle with those things constantly, trying to add dimension to my work, and that's the goal, to...
I'm a tomboy now. I always wanted to fit in with my brother's group, so I climbed trees and played with lead soldiers. But I'm a woman's woman. I never understood women who don't have woman friends.
Middle-aged women on telly is a bit of a hot topic - before, we were 27 to 37, and now we're 40 to 50. You do notice as you get older... you go past 35, and suddenly you're playing baddies.
I've always been attracted to women who are assertive and have confidence - qualities older women possess. They've been on the Earth a little longer. They're more seasoned. They don't play games. They know what they want, and they're not afraid to te...
Playing a prisoner of war trapped in Pakistan for three years was a novelty for me. We made sure that we didn't talk about India versus Pakistan but about the emotions of people on both sides and how terrorism affects us all.
My mother's father taught English literature. When I was about ten or eleven, I could recite Macaulay's 'Lays of Ancient Rome.' While other kids were playing pedestrian war games, I'd be Horatius keeping the bridge.
Americans play to win at all times. I wouldn't give a hoot and hell for a man who lost and laughed. That's why Americans have never lost nor ever lose a war.
