You shouldn't even be writing this story if you haven't heard me play live. You can't write with the passion you receive until you see a Dick Dale concert.
When I start playing I'm just a rollercoaster of sound. I don't know what's coming next, I never do, and I sit and sign and talk to the people afterwards.
Anybody who's ever had the privilege of seeing me play knows that I am the greatest pitcher in the world.
When I heard BB King's 'Sweet Sixteen,' I knew I wanted to play bass because that was the thing that made that record: the bass player.
I played with so many musicians and some of the musicians would have something I want. I steal a lot of them, and I mash it up, I mash it up into my chords.
Realizing this, I knew that the actual space of a room could be broken down and played with by planting illusions of real light (electric light) at crucial junctures in the room's composition.
I'm over it. You strive to win a Super Bowl and you do everything you can to get there. But being in the Hall of Fame, you never play for that honor. It's incredible.
I got an M.F.A. in acting from NYU, and part of our training is to learn how to use swords in combat situations in a performance and Shakespeare plays where you have to fight.
If you watch young children play, you will notice that they create games, characters, situations, whole worlds in which they immerse themselves with intense concentration.
I dropped out of high school and I couldn't go to college 'cause I wasn't smart enough, so I'd resigned myself to loading trucks and playing punk rock on the weekends.
My favorite is still the one that I started off with, which is a Les Paul Standard. I've played that at every gig I've ever had. And that's my starting point in the studio.
The national nonprofit I founded, 'KaBOOM!,' is on a mission to save play for America's children, and has long been championing the cause in high-need communities.
This summer, we need to let our kids go play and we need to stop worrying about whether or not it's going to ruin their chances of getting into college.
I'm an intense guy. I run 10 miles a day, which helps alleviate my intensity. Also, singing helps defuse my intensity. Playing the piano helps, and writing helps.
Necessarily, I'm always involved in casting, as any playwright is, because the whole process of putting on a play is a collaborative, organic effort on the part of a bunch of people trying to think alike.
The gaming world is a complete mystery to me! Well, I did play Pac Man and Frogger using big machines at an arcade back in the '80s.
Good luck in a way is bad luck not occurring, but the world wants stories of how bad luck happened, and how good luck played a savior.
With acting, you gotta wait until someone gives you a role in a play or movie. With writing, you're not dependent on others, you don't have to wait. You can sit down and just create.
I was modeling since I was four and acting in commercials since I was five - this was when I was in New York. I then moved to LA when I was 16... but before that I had done a play on Broadway.
Even through my college years, I was trying out plays and shows, but I never really thought it made much sense to try to be an actor. I thought it was foolish, really.
World will be so beautiful without war. Every child will grow up without fear. Mother will smile; child will play. Friendship will prosper all the way.