Playing live is closer to theatre, although when you're up there on your own, it's quite scary and revealing because you're playing your own songs. It's like a one man show that you've written yourself.
I think when I began, I played distortion more than the guitar. The results of my strumming. Now I play the twang of the string, which is a lot closer to the source of the sound making.
As a young actor, I played a lot of 'exotic' parts and was stuck with the tag 'sultry.' I had to refuse such parts if I were ever to play anything else. It did the trick, but my agent feared it made me harder to cast.
I played recorder in assembly, then I became passionate about the guitar, I don't know why. I started on electric then moved to acoustic - my brother was playing bass in the next room.
My mother was a jazz fanatic and she wanted me to play the piano so I could play jazz tunes. I wish I had learned but I was too busy getting into trouble!
What makes it all worthwhile is we just play for the sheer enjoyment of entertaining people and... make our families and the team we played on and the people watching, proud of what we did.
Most of the stuff I learned to play, I learned in high school. I had a band in high school, a jazz-fusion thing, and I was the keyboard player. I was interested in how the instruments worked and the theory behind playing with them.
I don't do plays without jokes anymore. I've retired from those plays. I think it's bad manners to invite people to sit in the dark for two and a half hours and not tell them the joke.
It is hard to play Blue Suede Shoes. I know everyone has heard it 10 million times, and that makes it even harder to play it, but there's a very laid back tempo on that. I was surprised at how slow it really was.
Before broadcasting for 50-some years, I did TV, played 10 years in the big leagues, won a world championship - and played a big part in that, too, letting the Cardinals inject me with hepatitis. Takes a big man to do that.
Today, you're either very big or you're playing stadiums or you're not playing anymore. You're either popular where everybody will go to a 20,000 seat arena to see you or they won't go to see you at all.
I would listen to Little Richard and Fats Domino and Chuck Berry, and I would listen to how they played their riffs, and after I taught myself that, I taught myself to play my own kind of stuff.
I, of course, wanted to play real jazz. When we played pop tunes, and naturally we had to, I wanted those pops to kick! Not loud and fast, understand, but smoothly and with a definite punch.
The only way to get back the confidence is to play and win matches. You can practise as much as you like, but you need confidence that comes from playing and winning matches.
I played Mary Joe Fernandez in the semifinals. She was winning the first set. Second set was very close. I started to play this aggressive game. I think I surprised them.
I've played American characters so many times now, it's so natural to me. But when I play American, I stay in the American accent from the minute I get the job till the minute I wrap.
As a kid in New Zealand, you play cricket in summer and rugby in winter. I played cricket and hockey. Not rugby. I wasn't brawny enough for it. Or silly enough, perhaps.
It's odd, that's why I don't like telling people I played field hockey. It's real big in Australia for guys. But I say I played in America, and everybody goes, 'Oh, you girl!'
You can batter your guitar, and it won't distort too much, which is important for me because I play with my hands a lot - I don't really play with picks.
What I mostly do is take the script, analyse the hell out of it, see what's in there, see what kind of person I'm dealing with, and then forget I'm playing a father and just play a person who exemplifies all those things.
Did you know there's probably more golf played in Iceland than most places in the world? They play 24 hours a day in the summertime and the northern part is warmer than the southern part.
