I would like to play an average guy. I would have loved to play opposite John Candy in a movie. That was my dream for a long time, and sadly, now I can never realize that. But I'd like to do comedy.
I remember one time being told I could not play in a basketball game at the College of William and Mary because I was black, even though I was playing with a United States Army team.
President Snow: Whatever game you think you're playing, those out there are not playing it with you.
Mike Eruzione: Mike Eruzione! Winthrop, Massachusettes! Herb Brooks: Who do you play for? Mike Eruzione: I play for the United States of America!
Sam: Oh my God! They're playing good music. Patrick: Holy shit. Holy shit. They are, they're playing good music!
As a busker, one thing that does not work is self-consciousness. A busker needs to be working. A busker needs to shed all ego and get down to work. Play your songs, play them well, earn your money, and don't get in people's way.
For me, the performance was always playing different people. And so when I got older, was no longer the romantic leading movie star, it became more and more interesting for me, the characters I played, you know?
I always try to stick to the script because I want to respect the writers, and I want to respect the director. But if the director and my fellow actors are okay with me playing with it a little bit, then I definitely want to play with it.
I feel that World Cup cricket should be played like football in which all the 160 countries take part. If only a handful of countries are going to keep on playing in the World Cup without making the game popular, I will be a sad man.
You're playing a role, but you're still feeling it. You can walk away from it after 'Cut,' but if you're playing a sad or mixed-up person, it's hard to stay in that place for these longish period of times. You kind of have to check out.
Everyone thought I was going to die like a year later, they didn't know. So I helped educate sports, and then the world, that a man living with HIV can play basketball. He's not going to give it to anybody by playing basketball.
My first inkling that I might have a yen for directing came when I realized I enjoyed creating plays for my various sports teams more than I actually liked playing the game.
I was born in Argentina where polo is popular, and my father always loved horses, so he encouraged me to play. He's the main reason I started to play polo and get involved with the sport.
All of my activities are so pedestrian. The extreme sport I play is ping pong. And we play it hard. If any of you suckers want to step up to the table, be ready.
That's the one regret I have in all the years that I've played professional sports, that I didn't win a championship in the N.F.L. And that's why you play on any level of team sports: you want to win a championship as part of a team.
Part of my strength as an actor comes from what I've learned all these years: when you play a villain, you try to get the light touches; when you play a hero, you try to get in some of the warts.
The game itself, I think, plays into the strength of my game, which has always been tee to green, hitting the ball consistently in play and managing my game. Putting has always been the one thing that's been a bit more erratic.
I have felt some twinges recently, about parts I wanted to play that I may be getting too old and fat to do. 'Hamlet,' for example - maybe that's gone. I would love to play Richard II.
The music field was the first to break down racial barriers, because in order to play together, you have to love the people you are playing with, and if you have any racial inhibitions, you wouldn't be able to do that.
It's one of the main things that I love about my job. You are never playing yourself, so I really love that I get to be someone else, play a different character and take on that persona, but I also have to take on their qualifications.
We were really interested in music from all over the world. We realized that what we were doing was very close to contemporary classical music because of the lack of tonality in the guitar- the fact that I play guitar the way I play.