My mother played the piano and my father the violin, I can remember my dad teaching me how to waltz; I had my feet on his, my mother playing the piano, and my husband will tell you the lessons weren't very successful.
When we play 'Angel of Death', it's actually a 2 and half minutes sing 'til our party starts. That song is pretty much been played traditionally in the end.
The Lounge Lizards were relating with a tradition and it was like I was playing within a musical context. The guitar playing stood out as being different in some way. That was a real education for me.
I would have been about seven years old when the formative years of my competitive football education began. I was playing in the local leagues around Manchester, playing against lads from tough areas who had been taught they had to fight for everyth...
I care about being able to play. If you're playing with integrity in the music, then that's what matters. But it wasn't that great for me because it was kinda like going back into the old times without the guy.
The great thing about animation is it's like the radio. I used to do lots of radio when I was a kid, and you get to play parts you would never get to play ordinarily.
I'm playing 10 feet from Mike Campbell every night. I look across the stage, there's Howie. Tom's in the middle and we're playing all this stuff I love. It's great.
Playing along with records is key. And as far as equipment goes it has gotten so much more affordable and the drum sets are of great quality. I play Pearl; their Export Series is great for a beginner.
I've just done a film in the United States. It's a thriller called 'A Crime', with Harvey Keitel, we play against each other, and it's so great to play in another language. But I'm definitely not American.
A lot of other bass players have told me I'm the only bass player who plays with a pick but sounds like he's playing with the thumb and fingers, which is a great compliment.
I played ping-pong with Prince. That's pretty surreal. He gave me a lesson before we played; like, he's great. He's a master at it, so I took the free lesson.
Music itself is a great source of relaxation. Parts of it anyway. Working in the studio, that's not relaxing, but playing an instrument that I don't know how to play is unbelievably relaxing, because I don't have any pressure on me.
I mean, the great secret is that an orchestra can actually play without a conductor at all. Of course, a great conductor will have a concept and will help them play together and unify them.
For me, there's nothing that beats playing. When I'm not playing, I'll watch games on the television, watch stuff on You Tube, everything. I just live for football, love watching great players.
When I'm by myself, I never play music. I have a lot of it, for a girl, but I don't listen to it a lot. I hate picking music out; I'm not good at it.
I played varsity on all of them for four years. I'm 5'9 and that's not that tall for a center so I was a forward. I loved playing volleyball and basketball and track I was good at, but it stressed me out.
I learned from different guys I played with, too. The key was probably three people: The good Lord, the offensive linemen I played with and great fullbacks that could block very well.
I have many golfer friends whom I play with, including my good friend Ian Poulter, a professional golfer who's coming to Asia to play in a few tournaments.
I had a good theater career for years. I played Hamlet when I was 22, and I've played some really great roles.
The cast gets along pretty well, it's a good work environment. I hang out a lot with Brett Claywell, he plays Tim Smith on the show. We play plenty of basketball.
In the work that I normally do, you have a whole script, a whole arc, that you play. And I do believe a good actor will play every bit of information they're given.
