I just love the process of working with other actors. It's like jamming with a musician, except it takes a little more effort to get to that place as an actor, because you have the cameras and lights and everything. But I love jamming with these peop...
I love clothes - I love shopping for clothes, I love wearing clothes, I love talking about clothes - but oddly, putting on the dress and walking around in front of people, that's the place where I'm most uncomfortable.
A woman is more than the sum of her parts. So I had an opportunity to present some work at the White House. I chose not just to talk about the sky, the planet, love or heartache. I wanted to actually be there, to place a mark on that moment.
I love going to Africa and stuff. I love going anywhere, really, but I've been to Africa a bunch of times and it's just a beautiful place that needs help, obviously, but helping people that are really thankful is really easy to do. And the people out...
I loved working on 'Happy Gilmore' because I love to travel to new places and we got to go to British Columbia. Any Adam Sandler film is fun to work on because it is a reunion of the boys club of guys that have worked together in the past.
I love visiting LA. It's an endlessly fascinating city, and is, of course, America's entertainment capital. Each time I go, I fall in love with it all over again. That said, it's not the sort of place I'd want to live.
My homeland of Belarus is an unlikely place for an Internet revolution. The country, controlled by authoritarian President Alexander Lukashenko since 1994, was once described by Condoleezza Rice as 'the last outpost of tyranny in Europe.'
I like a role that is challenging. That's what I look for and I'm certainly always looking to move further and maybe push myself into a place that might be temporarily uncomfortable so that I might learn something.
You definitely can't forget everything that happened in your past. But you can place some positive interpretations on them, so that they don't control your present and future emotions and feelings.
Living a fake life is definitely a fulltime job of its own. Why place some unnecessary burdens on your shoulders, when you can actually live freely by being true to yourself?
Our creator is the King of all kings. Which makes us the royal children of His. So don't ever place yourself beneath or above any human being on earth.
There is always some universal proportion, but along with that there are some places where special things happen. Ireland, for example. I've always felt it's interesting to play there. Maybe they just drink more than anybody else.
I went to Lunenburg, when we were filming there, and I was like, 'We can't film anywhere else. This place is perfect. It is 'Haven.' It's absolutely beautiful. That town is eye candy.
We want to live at any price; so we cannot burden ourselves with feelings which, though they might be ornamental enough in peace-time, would be out of place here.
Could I interrupt here, because there is an alternative explanation, which you are particularly well placed to examine. You know the argument that it is the alchemists in the laboratories who invent the sweet new kits.
Some think intuition is a gift, but it can be a curse as well--a voice calling to us from places that are better left unexplored...an echo of memories that will never die, no matter how hard we try to kill them.
It's true that Paris is made up of equal parts of social conservatism and anarchic experimentation, but foreigners never quite know where to place the moral accent mark.
People give pain, are callous and insensitive, empty and cruel...but place heals the hurt, soothes the outrage, fills the terrible vacuum that these human beings make.
I wouldn't even know - and I spent three years in the CIA - I wouldn't even know how you'd start a covert action program in a place like Iran. It would be extraordinarily difficult.
Summer is only the unfulfilled promise of spring, a charlatan in place of the warm balmy nights I dream of in April. It’s a sad season of life without growth…It has no day.
The most emphatic place in a clause or sentence is the end. This is the climax; and, during the momentary pause that follows, that last word continues, as it were, to reverberate in the reader's mind. It has, in fact, the last word.
