Having my first number one single and being able to travel to places I've never been before has been amazing. The tour was also fantastic. There are so many things which I've experienced this year which I never even dreamed of.
I tried to sing 'What's Going On' with Amy Winehouse once at an old cinema in the West End. There was a funk band that had members of both of our bands playing in it, but it was the worst kind of place to sing bad karaoke because everyone there was a...
Fashion pictures show people looking glamorous. Travel pictures show a place looking at its best, nothing to do with the reality. In the cookery pages, the food always looks amazing, right? Most of the pictures we consume are propaganda.
I'm crazy about my father, he's an amazing man, a real adventurer. He took us with him to travel all over the world. We were in places that were so remote, that white people hardly ever reach them.
The Occupy movement found places where people who were feeling that anger could come and share it - and that is, as we all know, extremely important in any political movement. The Occupy sites became a way you could gauge the levels of anger and disc...
I think I would cope like anyone copes with any tragedy. I'm sure I would be very upset for a while and then there would come a point where I would either have to stay in this place of darkness and anger, or I'd have to accept that it happened.
I used to think that the great thing about sculpture was that, like Stonehenge, it was something that stood against time in an adamantine way, and was an absolute mass in space. Now I try to use the language of architecture to redescribe the body as ...
I have a traditional view of the afterlife... heaven, hell and judgments. But the accounts of those places are scant ,and I believe it's on purpose. We aren't supposed to try to figure out the architecture of the afterlife, since the big game is here...
Look, architecture has a lot of places to hide behind, a lot of excuses. 'The client made me do this.' 'The city made me do this.' 'Oh, the budget.' I don't believe that anymore.
Architecture is a very dangerous job. If a writer makes a bad book, eh, people don't read it. But if you make bad architecture, you impose ugliness on a place for a hundred years.
Downtown Toronto is a very good place to talk about the neutrality of modernist architecture. I'm sure this kind of box-building was interesting in the Twenties, Thirties and Forties, but I think it's absolutely ridiculous to build like this in 2013.
I have tons of art books. I have them all over the place. They are in my car, in my bag, and in my studio. There are books around me all the time.
Mother liked beauty wherever she found it, and she found it in many different places, both in nature and in contemporary art. And that's where they pretty much parted company. Father... anything that was abstract would to him automatically be not ver...
The time to read is any time: no apparatus, no appointment of time and place, is necessary. It is the only art which can be practiced at any hour of the day or night, whenever the time and inclination comes, that is your time for reading; in joy or s...
There are many museums dedicated to technology, artistic endeavors, music, and that sort of thing. From that perspective, I think games really do have a place as a kind of collaborative art or a synthesis of all these various aspects into a whole, an...
In the place where I was a child, there were no artists and there was no art, so I really didn't know what that meant. I think I thought it meant that I would be in a situation different than the one that I was in.
It's great that New York has large spaces for art. But the enormous immaculate box has become a dated, even oppressive place. Many of these spaces were designed for sprawling installations, large paintings, and the Relational Aesthetics work of the p...
I am able to write musically about the visual. I can pick up tones, I can pick up themes. And I find visual art is a wonderful launching-off place.
Contemporary curators orbit in the place of distribution and consumption, and less and less in the space of artists. I think it has become a lazy profession in regard to its relationship to the artists and the vigorous state of art making.
I guess I'm part of the art house, but we really have to shake up our ideas, because we're kind of self-parodying ourselves. We go places commercial cinema doesn't go, but sometimes it's to our own detriment.
For an American, there's no automatic place where people love the art of poetry. There's not a social class that considers poetry its property the way in some countries there's a snob value to the art.
