Secretly, I'm in awe of Broadway performers. I would love to perform at that level. I love the exchange with the audience. I love being able to sing and dance to express your emotions and the community and friendships that are formed when working on ...
Guy Rivers, a conventional piece as regards the love affair which makes a part of the plot, is a tale of deadly strife between the laws of Georgia and a fiendish bandit.
I love all the shoe shops in Covent Garden. Laura Lee Jewellery on Monmouth Street for delicate gold jewellery. Every time I get a part in an English movie, I buy myself a piece of jewellery from there.
I love sashimi, mainly tuna sashimi. I will buy six pieces or so a day and just snack on them. Sometimes I wrap them up in my mini seaweed sheets.
A lot of music doesn't do one thing or another. It just doesn't do anything. Then there are those pieces of music that thrill your soul. It's such a wide range, and it's really interesting that we all love different things.
I admit that I am hopelessly hooked on the printed newspaper. I love turning the pages and the serendipity of stumbling across a piece of irresistible information or a photograph that I wasn't necessarily intending to read.
I love to eat everything and you pretty much can - a little piece of something fattening is not going to kill you. It's when you eat the whole box that it's going to kill you.
I like sundresses with cowboy boots, little shorts with big wedge heels and a big piece of turquoise. I also love classic, Old Hollywood romantic styles. I'm 'country girl meets city girl' circa 1930.
One fan sent me one tooth, so I made a necklace out of it. But then I found a bunch of my baby teeth, and started realizing I would love to wear a piece of my fans' bodies on me.
I guess I've always been really attracted to period pieces and always felt visually I was probably more made for the '50s or the early '60s than I am for a modern day.
You must learn to take a step back and visualize the whole piece. If you focus only on the thread given to you, you lose sight of what it can become.
A friend of mine described it this way: When they were born it was like a meteor landed in our house and blew everything apart. We had to just put all the pieces back.
A true work of art is shaped by the hands of another, and if in shaping us that ‘other’ is anything other than God, the piece will never touch the remotest periphery of its potential.
I've never been a big cinephile, which may be why I could treat 'The Clock' like a puzzle and force the pieces to fit together in odd ways.
It's always been kind of weird to me because when you give someone an autograph, you're looking down at a piece of paper and once you sign it the person moves on.
I think the hardest part of writing is revising. And by that I mean the following: A novelist has to create the piece of marble and then chip away to find the figure in it.
Talking to her is like coming home and finding the furniture in every room rearranged. The same pieces are there, the same sense of comfort, but nothing is exactly the where you'd expect.
A bad investment is going for quantity over quality. If you're trying to be careful with your wallet, especially with the economy right now, you have to choose staple pieces.
'Evita' was four pieces of slick paper and a record album. It's the most scary, to sit down and dictate a musical scene by scene. It was a musical unlike anything I'd ever seen before myself.
This is where the world is going: direct access from anywhere to any type of data, whether it's a small piece of data or a small answer but a long algorithm to create that answer. The user doesn't care about this.
If, during the course of the game, it be discovered that any error or illegality has been committed in the moves of the pieces, the moves must be retraced, and the necessary correction made, without penalty.
