Sometimes people who want to understand Haiti from a political perspective may be missing part of the picture. They also need to look at Haiti from a psychological perspective.
Step one of Street View was to get the pictures in place - in a few short years, we've gotten used to the idea that nearly any place on earth can now be visited as a set of images on Google.
I've never been difficult to anybody or with anybody on a picture. Especially when you're in that nice status of hierarchy of actors and actresses who get to approve directors. Because once you make that choice, it's my belief that the director's bos...
She was not a white woman. She was not a Greek... Until the emergence of the doctrine of white superiority, Cleopatra was generally pictured as a distinctly African woman, dark in color.
And it really began with Einstein. We attended his lectures. Now the theory of relativity remained - and still remains - only a theory. It has not been proven. But it suggested a completely different picture of the physical world.
Ross Hunter was my assistant on Take Me to Town, He was a young man, an actor before that, and learned a lot on the picture. During shooting, Goldstein left, and Ross was most pleasant. He never interfered.
I never saw this coming - the little house was working its magic, connecting me to people and materials I never would have guessed would find their way into the picture.
I had done my first picture and I didn't have anything to do for awhile. I was asked to come back to New York and do Bus Stop in the role of the cowboy opposite Kim Stanley.
Anyone who would let Gary Cooper and the entire cast go charging on horseback without first finding out what kind of footing the horses had is nuts and cannot possibly direct a motion picture.
You can find pictures anywhere. It's simply a matter of noticing things and organizing them. You just have to care about what's around you and have a concern with humanity and the human comedy.
Even though I know who I am, musically I'm a blank canvas. I know what colors I want to use, but I don't know what picture I want to paint yet.
I'm an artist who works with pictures and words. Sometimes that stuff ends up in different kinds of sites and contexts which determine what it means and looks like.
The movie is actually from a book by Stephen King called The Body. When they were gonna put it to a motion picture, they found the story was a bit too strong for the title The Body, based on a young kid's movie. It would be too heavy.
We didn't know about the rest of the world. We just knew the pictures that we saw on TV, and it was so different that we wanted to try to imitate that, to a certain extent.
The timing was terrible, and having one disaster after another didn't help. I think the pictures on television of the way in which the disaster was handled also helped to turn off the public and Congress.
I sculpted for four or five years. Mostly for my own amusement, I decided to do a picture book, and that was kind of a turning point.
If you want someone to feel warm, you dress them in a warm color and put a warm light on them and you get the picture. Sometimes, all that needs pushing a little bit to help tell the story.
I liked the idea of being a photographer, just that you take this one picture of this one thing that'll never happen again - it's a bit weird when you think about it.
When you're used to looking through a stills lens and you have to capture an emotional moment, and that picture is not moving and yet it has to have impact, I think that's the first influence on my style.
When you are a beginning film maker you are desperate to survive. The most important thing in the end is survival and being able to get to your next picture.
I put forward a pretty general theory that financial markets are intrinsically unstable. That we really have a false picture when we think about markets tending towards equilibrium.