Write a book you'd like to read. If you wouldn't read it, why would anybody else? Don't write for a perceived audience or market. It may well have vanished by the time your book's ready.
I remember the first time I held my book, my first book in my hands. I cannot tell you how it moved me.
I try not to worry about rewriting books that worked well the first time. I'm too busy writing new books to worry about things that are already in print.
'The Prince's blunt candor has been a scandal for 500 years. The book was placed on the Papal Index of banned books in 1559, and its author was denounced on the Elizabethan stages of London as the 'Evil Machiavel.' The outrage has not dimmed with tim...
Certainly one of the surprising truths of having a book published is realizing that your book is as open to interpretation as an abstract painting. People bring their own beliefs and attitudes to your work, which is thrilling and surprising at the sa...
It would absolutely suck if you paid a few bucks for a book only to find that on the first page it said, 'Once upon a time they all lived happily ever after' and the rest of the book was blank.
Esmeralda: [on Plato's book at the same time she provokes the teacher over a past incident between them] I guess that's not a tramp's book, huh?
Annie Kinsella: They're talking about banning books again! Really subversive books, like "The Wizard of Oz"... "The Diary of Anne Frank"...
Fame, money and the size of the market are not very important to me. What is, is writing a book that is worth doing and then publishing it. I don't write books for entertainment, for people to pass the time then throw away.
According to New York publishers, Bill Clinton will get more money for his book than Hillary Clinton got for hers. Well, duh. At least his book has some sex in it.
There is nothing is more musical than a sunset. He who feels what he sees will find no more beautiful example of development in all that book which, alas, musicians read but too little - the book of Nature.
Quentin and I were constantly finding something new that we had in common and comic books were one of them. I think we were talking about comic books much earlier in our relationship, before I had the part.
When I was 19 years old, I wrote my first book. I took a computer science class, and the book was garbage. I thought I could write a better one, so I did.
I read very, very little fiction as a kid. All the books I can remember are junior science books.
When I wrote about media and technology, I had a lot of lonely, even intimate book talks. Since writing about dogs, I have a lot of company at book signings.
With literary fiction, generally a film maker falls in love with a book. In commercial fiction, it's a producer or studio falling in love with a book they can make into a movie with worldwide appeal.
The people who loved me when I was seven years old love my books, and the people who didn't like me when I was seven years old don't like my books.
I don't know if she should worry too much, I mean some of our greatest writers have had movies made of their books, lots of Hemingway novels were turned into movies, it doesn't hurt the book.
Usually a feeling of disappointment follows the book, because what I hoped to write is not what I actually accomplished. However, it becomes a motivation to write the next book.
I stole comic books from my brother when I was a kid, but I was never like an avid fan. I can't claim to be like a comic book geek.
The fact of the matter is that you should really stop concerning yourself with writing a book because anyone can write a book that totally sucks. There is nothing special about that.
