Trevor Reznik: I'm not in that photo! Stevie: Trevor, I'm looking at a picture of you, standing next to a fat guy with glasses holding a fish.
Hawkeye Pierce: Hot Lips, would you like to see these pictures of my kids? Hotlips O'Houlihan: I'm not the slightest bit interested.
Bus Lover: Why don't you take a picture? It'll last longer.
It's so hard to raise money for independent films and the fact of the matter is that the bigger my star or whatever is, as a result of doing bigger pictures, the easier it is for me to get money for my own projects.
A trip to the picture framer's, with a selection of prints, is the most joyous outing I can imagine. I've spent more money on framing than on anything else I own.
Well, it takes a certain amount of money. And I've got to see pictures of the person ahead of time. If I don't like the way the person looks I won't do it.
It is not the language of painters but the language of nature which one should listen to, the feeling for the things themselves, for reality is more important than the feeling for pictures.
I've seen it too many times in Hollywood. Talking about a relationship in public can jinx it. And if you have your picture taken together, you might as well start packing your bags.
A tip for looking 'picture perfect' is probably a smile. I think everyone looks better when they are happy; you give off a glow - or at least that is what my mum would say!
I actually used to smile a lot in pictures. I think I only stopped smiling when I got into fashion. Fashion stole my smile!
As screenwriters, we struggle with our own success. We have wallpapered our world and now we can't get anyone to notice the picture we just hung.
Human technology has made it to Mars. We are transmitting gorgeous pictures from it. Yet we have not explored our own planet. Two-thirds of it is covered with oceans that are still mysterious places.
I played music and sang from my earliest memories. The first pictures of me show me wandering around with a guitar that was larger than I was, and it became almost second nature to me.
I always had a dream about trying to make a movie that had no dialogue in it, that was just music and pictures. I still haven't done it yet, but I tried to get close in the beginning.
Jerry Bruckheimer is the most hands-on producer that I've worked with. Jerry's very involved in the music, and he's such a fan of film. When you watch him playing back the cues to the picture, he's like a kid in a candy store.
I like to think that my works flow like music. That may be one reason I work in large groups versus one picture of one thing; it's the flow of the whole series that counts.
There is nothing that special to see when looking at me. I'm a painter who paints day in day out, from morning till evening - figure pictures and landscapes, more rarely portraits.
Alas for the affairs of men! When they are fortunate you might compare them to a shadow; and if they are unfortunate, a wet sponge with one dash wipes the picture away.
Transport of the mails, transport of the human voice, transport of flickering pictures-in this century as in others our highest accomplishments still have the single aim of bringing men together.
My mom would put me in these preppy little suits and slick my hair to the side. I have these baby pictures of me where I'm this little preppy kid with a sweater tied around my neck.
Something my mom and I have always said to each other is: 'We're not here for interviews. We're not here to get your picture taken. We're here to make a difference, and this is our opportunity to.'