I feel the symbolic world is the nub of a problem for an artist.
Sculpture occupies the same space as your body.
If you get a bad review, you take that in your stride.
One must not believe any of those mythologies about oneself as an artist.
Like the sundial, my paint box counts no hours but sunny ones.
The first 2 weeks, they didn't learn the piece - they went through the process of how the piece was made.
We need to think on a broader plane, we need to do more than we're doing.
Because I like to pick up where I left off and continue from there.
There is nothing more truly artistic than to love people.
I am seeking, I am striving, I am in it with all my heart.
Choreography and creativity - it's my matrix; let's see where we can move.
If I didn't start painting, I would have raised chickens.
I can't even tell you the anxiety I get from being around those cameras!
The work itself has a complete circle of meaning and counterpoint. And without your involvement as a viewer, there is no story.
It's always a pleasure to talk about someone else's work.
I don't work with inspiration. Inspiration is for amateurs. I just get to work.
Gentleness doesn't get work done unless you happen to be a hen laying eggs.
In my work, I have never had any use for anything that I have known in advance.
My work is on the one hand laboured, and on the other completely happenstance and intuitive.
Regardless of your support, you need to make work.
I refuse to work unless I get paid, so I don't get a lot of work sometimes.
