I don't put boundaries on myself when I sit at the piano.
Part of our western outlook stems from the scientific attitude and its method of isolating the parts of a phenomenon in order to analyze them.
I was two and a half when I first climbed up and sat at a piano.
The dreams of the 1960s began to disappear in the 1970s. The economy collapsed, and so did the optimism of the Metabolists.
I fell in love with the piano. I knew it was me. I was dying to play.
My audition song is, and has been since 1977, 'I Love a Piano.'
I just sit down at the piano and rattle it off.
I taught myself to play the piano, because I wanted to play it.
'The Piano' ended up on television. Everything ends up there anyway.
I'm a kid for a living: I get to play the piano for a living.
Get up from that piano. You hurtin' its feelings.
My aunt played the piano and I used to sit and listen to it.
People sort of know me for that solo piano music I did.
I wrote my first piano piece when I was in 4th grade.
The piano has been drinking, not me.
My work on hyper instruments started with simple instruments, like the piano.
[Measure for Measure] leaves me with the sense that life is all there is, so we might as well live it as best we can; that being human is not a given something we have to strive for. That the reason we are here is to live and that this involves makin...
You are either a player or a spectator! Players influence the game while spectators watch them to do it. Such is life!
I think the age of 27 to 28 is ideal for the Salvadoran player to play qualifiers. That's why we've brought players who are between 23 and 24. I think in three years, they'll be well-armed to play qualifiers.
You'd be amazed how much research you can get done when you have no life whatsoever.
You could shove it up your ass and pretend you're a corn dog." COURTESY VIOLATION-RESPONSE MUTED-VIOLATION LOGGED
