If I have an antipathy for any class of people, it is for fine ladies. I almost match my Husband's detestation of partridge-shooting gentlemen.
I could never hold a job for more than three months, which works out well because that's how long a movie shoots.
I fought in Korea, front line. I knew who the enemy were. The enemy were the people who were firing at me. And shooting at me.
The capitalist class shoots down mothers and children. It stops at nothing, no matter how monstrous, to prevent the organization of the workers.
The more obstinately you try to learn how to shoot the arrow for the sake of hitting the goal, the less you will succeed in the one and the further the other will recede.
Where I get bored is when I show up for a shoot and they want me to wear a feather boa. Too obvious a thing for a poof on the telly to do.
Reality is what we tell to go screw itself every time we write or read a book, shoot or watch a movie.
The stag tells him that he is the eldest of the sons - the father's favorite - and he warns the father that if he tries to shoot any of the stags, their antlers will tear him to pieces.
I am happy to have now as Danny finally a more difficult role, in which I can shoot and fight.
Go to where the ducks are. Forget the duck calls. If you go where the ducks are coming, you're going to shoot more ducks.
When I'm shooting, really the audience I'm thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.
As far as pacing the shoot is concerned, I know when I've got it. I don't think there's any reason to take ten takes unless you need them.
I got my dailies every day, although I couldn't always look at them because I was usually preparing for the next day's shoot, both as an actress and as the director.
I envy people who can just look at a sunset. I wonder how you can shoot it. There is nothing more grotesque to me than a vacation.
At least with zombies I know my enemy and I know what to do: Aim and shoot. It's not so easy with people.
I guess we're all lucky to be in this profession where you can be someone else for two or three months on a film shoot. I find it restful. Vachement agreable.
I don't really know Hollywood, but living and shooting in L.A. was very motivating, inspiring. The lights, the extras, their American faces, the energy, the Orpheum Theatre. It was all very inspiring.
The kids all literally think I'm Spider-Man, and they ask me how I shoot my webs. It's flattering and crazy, but it's Spider-Man they're in awe of, not Jake Epstein.
I can do a 'Maxim' shoot and be super sexy, but I'm also just a 21-year-old girl, and I look 17 sometimes.
I'll be honest, I like shooting 'New Girl.' I like the people. The show is still new to me. I've never done TV like this before.
How many more school shootings do we need before we start talking about this as a social problem, and not merely a random collection of isolated incidents?
