Certainly for my father, there were great times, good times, not-so-good times. He might be shooting a Fellini film for six months, then not working for two months. I'm used to that dynamic.
There was really no friendship in modeling, though a certain amount of warmth comes from running into models you know on shoots, because you end up in so many unfamiliar places, from Alaska to Africa.
It's funny, I started by making fake American movies, 'The Transporter' and stuff like that. I was shooting in France, but everything was in English. But then afterwards, I was looking at real French movies like the Jacques Audiard movies.
I come from a background of hanging out with friends and shooting videos with them, with funny stuff coming out of the group. I guess we got the same charge jocks get out of sports.
I think that one of the strengths of Cop Shoot Cop lay in the different, and at times, clashing personalities, Ideally, I want to have both ways of working in my life.
No week is ever the same in my world! An average week in my life changes based on my shooting schedule, if I'm promoting a project, or anything else I have going on.
When we shoot 'Scrubs' I spend every waking hour of my life in an abandoned and haunted hospital. All I can date there are ghosts and they tend to be horrible snugglers.
My Soul to Keep is the ultimate love story with a black man and a black woman. I call it the ultimate love story. It's about an immortal. We're shooting for this Fall and that's been a six year development right there.
I love stage work. The thing about plays is that they're perfectible. With film, you shoot that take and maybe another. During 'Spamalot,' I rewrote Act II three times.
I'm envious of actors. You shoot a movie or you do a season of 'Big Love,' and then you're on hiatus and you have a bunch of free time.
I'll always love movies. But there's something I love very much about TV, when you shoot episodes while other episodes are still being written.
We would all love to walk up to someone and shoot them in the head, there's no doubt about that. We're too civilised to admit it, but we're happy to read about it.
I've only done one shoot where it's modeling clothes, not like me in my environment. And the stylist, literally, I had her stand behind the photographer and do poses.
I want to be the Letterman of metal. I want five nights a week, Monday to Friday, 11 to 12, live. I always shoot for the moon.
I would sign on for projects that were meant to shoot in July, and then they would postponed and they would bleed into the following semester, and then I'd take a semester off, and then the movie would collapse.
Safe storage and child access prevention laws are critical steps as we seek to reduce the occurrence of accidental shootings and suicides involving guns.
It's going to sound ridiculous, but knowing how to pose, how to maintain a level of engagement and variation for a day of shooting, is actually a skill.
[...] I know how to inflame a cunt. I shoot hot bolts into you, Tania. I make your ovaries incandescent.
I always feel like everything I shoot is a student project, and nobody else knows about it. I forget, in the moment, that other people will see it.
I never really worked in Hollywood. Some American producers came to Europe to shoot films with me, so it's a different situation... It was not my aim.
A star shoots bleeding across the skyline, a companion to the black wind. Silence comes sweeping across everything.
