Tony Mendez: [after quizzing the hostages on their fake bios and the one hostage paused] Shoot him, he's an American spy!
Avoid all needle drugs, the only dope worth shooting is Richard Nixon.
To shoot a conventional film means that you are always covering yourself. You are putting nets and, in a way, letting bad decisions take over.
You can scream at me, call me for a shoot at midnight, keep me waiting for hours - as long as what ends up on the screen is perfect.
If you mention any ideological thing about shooting 'Last Tango in Paris,' I was thinking I was doing a political film.
M&S clothes just get better and better, year after year. I'm always begging for stuff from every shoot we do.
No, we didn't shoot... in the ones that I did there were hardly any sex... there were suggestions of sex scenes but we never actually shot a sex scene as such.
When I got back from shooting 'Deception,' I was under contract with NBC, so I can't really do anything.
I'm one of those actors who is going to come in with 2,500 ideas. You can shoot down 2,499, but one of them you're going to like.
I think I spent my whole childhood diving out of haylofts with my BB gun and coming out shooting.
My dream would be to be on a show that shoots in New York, because I live here, and then I could walk to work.
I gradually work myself into a frenzy as the shoot approaches, while we're choosing the costumes or working with the make-up artist. I'm not so much interested in my character as the film itself.
For a man to strike any women is most brutal, and I, as well as everyone else, think this far worse than any attempt to shoot, which, wicked as it is, is at least more comprehensible and more courageous.
Yes, you can see the bullet points here, here and here, sir; there are multiple back-slashes, of course. And that’s a forward slash. I would have to call this a frenzied attack. Did anyone hear the interrobang?” “Oh yes. Woman next door was tem...
We already have the Wooden Pillar, the Steel Pillar and the Plastic Pillar. In a moment we will have the Golden Bail....' No, you won't.' We will,' stated the robot simply. No, you won't. It makes my ship work.' In a moment,' repeated the robot patie...
For one… If you shoot me and your boss realizes it was without good reason, you’ll have fucked up your trial period. And trust me; I know you’re still in it.” Ian pulled open a drawer in a small brown cabinet. “Secondly, it could end very b...
Atticus Finch: I remember when my daddy gave me that gun. He told me that I should never point it at anything in the house; and that he'd rather I'd shoot at tin cans in the backyard. But he said that sooner or later he supposed the temptation to go ...
Martin Riggs: You know they're going to kill her, don't you? Roger Murtaugh: Yeah. Martin Riggs: So if you want her back, you're going to have to take her away from them. Roger Murtaugh: I know. Martin Riggs: You do this my way. You shoot, you shoot ...
Jack Valentine: Do you know why I do what I do? I mean, there are more prestigeous assignments. Keeping track of nuclear arsenels - you'd think that be more critical to world security. But it's not. No, nine out of ten war victims today are killed wi...
Arthur Bannister: [on the movie screen, "The Lady from Shanghai" is playing] I'm aiming at you, lover. Mrs. Dalton: I'm aiming at you, lover. Arthur Bannister: Of course, killing you is killing myself. Mrs. Dalton: Of course, killing you is killing m...
Marv: It wasn't you losers who killed Goldie. The guy who did that knew what he was doing. Still, you got to have something to tell me. Like who it was who sent you. [Marv pistol whips him] Marv: I don't hear you giving me any name, jerk. Guess when ...