A visual understanding of great composition and how to use a camera and expensive lenses can be learned, but drive and a real hunger for making photos and telling stories... I don't think that part can be learned. You either have that inside, or you ...
I don't speak up if I'm working. As a model, no one pays me for my opinion. I want to wear whatever will make a great photo, whether I like it or not. But if the shoes are too small, I will complain!
I love to post behind-the-scenes photos of what is really going on. My twitter friends really seem to like that and the great thing is I can deliver them information right away.
With 'Inside Out,' no matter how good the photo or how big the pasting, people will like it or they won't. But what you see through any of these actions is that there's going to be discussion and it's going to bring people together.
They think I'm depressed because I look serious in photos. It's usually because I'm just nervous. But I've stopped dressing for other people. If I think I look good, that's the most important thing.
You can always tell folks from nonfolks. Folks like to feel good, like to smile for the camera when there's a big photo opportunity for a really good cause.
I became very famous, as a teenager, and my name and photo were splashed in all the media. They made me larger than life, so I wanted to live larger than life, and the only way to do that was to be intoxicated.
My iPhone has changed my life - I spend hours taking photos of the sidewalk as I walk down the street. I like the casualness, that it's low-resolution.
It's rare that I turn down a photo or autograph, because these are the people that support me, so why not support them. I love it and I invite it. I love what I do and the whole 'celebrity' life and all that.
What I can't tell with a photo I will tell with a painting, and what I can't tell with a painting I will tell with a video or text sometimes, et cetera.
Sometimes I'll post goofy photos of myself on Instagram without make-up or making silly faces. I don't always look like a little Barbie doll.
Anyone with a smart phone is a potential eyewitness cameraman capturing and transmitting stories at speeds that turn Reuter photos and traditional reporting into, well... yesterday's news.
I have equal parts film and digital cameras in my collection. I think that there are ways to Photoshop photos so that they look like you shot them on film, but is that as rewarding? It just depends on the person.
The original dream of Facebook Platform was to enable developers to build experiences that were social at their core, like Facebook Photos, without having to build their own standalone social network.
The first time I looked at Yammer, I thought I was on Facebook. Work is not a social network, with serendipitous communications and photo collections. Work is about managing tasks and responding to things quickly.
Our career path has tended to be the most perverse and contrary approach to the entertainment industry imaginable, while at the same time doing the kinds of things that you have to do, the videos, the photos and all that sort of stuff.
The first few games that we played against some of the teams, the young guys, you know, want a stick sign or photo sign, and I think that they respect what I have achieved throughout my career.
All pictures are unnatural. All pictures are sad because they're about dead people. Paintings you don't think of in a special time or with a specific event. With photos I always think I'm looking at something dead.
Photo Journalist: This is the way the fucking world ends! Look at this fucking shit we're in, man! Not with a bang, but with a whimper. And with a whimper, I'm fucking splitting, Jack.
[apologizing for severed heads adorning Kurtz's headquarters] Photo Journalist: The heads. You're looking at the heads. Sometimes he goes too far. He's the first one to admit it.
Photo Journalist: There's mines over there, there's mines over there, and watch out those goddamn monkeys bite, I'll tell ya.
